Version classiqueVersion mobile

Music and Dance in Eastern Africa

 | 
Kahithe Kiiru
, 
Maina wa Mũtonya

Foreword

Kimani Njogu et Marie-Emmanuelle Pommerolle

Texte intégral

1Of all the cultural forms, music and dance are the most fluid when it comes to cultural expressions. Music and dance find themselves in this paradox that oscillates between their fluidity and the fixity of some of the traditions that they express. In this view, music and dance provide a research minefield to interrogate and engage with varying themes within the Eastern African region.

2The chapters of this book provide a template onto where other socio-political and cultural issues in Eastern African could be discussed. This project is a mosaic of research interests including and not limited to urban and gender identities, the colonial imagination of the colonized through music, dance and performance, as well as the representation of the same in literary works. There is an emphasis on performances in the Horn of Africa, a region that has suffered from the vagaries of war but which has not impacted on a people’s attachment to the beat and rhythm of their music and dances. Topics that emanate from the parlance of everyday life in the Eastern African region form part of the research too.

3Drawing scholars from diverse disciplines and academic backgrounds to collaborate in this project not only underlines the interdisciplinary ethos in which to approach music and dance, but also calls for new and emergent ways of enhancing an intellectual discourse on the same. Research on music and dance is transgressing boundaries set by the rigid disciplines and charting a new trajectory of its own.

4IFRA and Twaweza Communications have been important partners in creating synergies between conducting research and archiving knowledge in Eastern Africa. This book comes exactly ten years after Songs and Politics in East Africa (2007), an initiative by IFRA. The book pronounced itself well on the issue of music, politics and performance of power.

5These peer-reviewed chapters herein formed part of the presentations at the Music and Dance Research in Eastern Africa conference organized by IFRA Nairobi and the Technical University of Kenya (TUK), with the support of Alliance Française in Nairobi and the African Music Development Programme. The publication of the conference proceedings in this book offers a platform for discussions on innovative research topics and new trends in the Eastern African academic community. It is our hope that the book, alongside others will spur further research in music and dance within the region and the continent.

© Africae, 2018

Conditions d’utilisation : http://www.openedition.org/6540

Acheter

Volume papier

amazon.fr
Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search