Table des matières
Ouverture
Cristina Baldacci et Susanne Franco
Represencing Performance, Dance, and Visual ArtSolos
Gabriella Giannachi
Unfold: Dan Graham’s Audience/Performer/Mirror ReenactedTimmy De Laet
(Re)Making Dance History Together: Working Towards a Collaborative Historiography of DanceSusanne Foellmer
Michael Thomas Taylor (trad.)
Watching Dances from the Past: Considering Performance Analysis in the Realm of ReenactmentsAurore Després
Ariadne Mikou (trad.)
Five Conceptual Actions for a Sensitive Archaeology of the Gesture in Dominique Brun’s Sacre#2- Action n. 1: Thinking about Reconstruction and Invention at the Same Time
- Action n. 2: Radically Placing the Present of the Gesture at the Origin
- Action n. 3: Starting from the “Carrier of the Gesture” and Opening Whirling Gestospheres
- Action n. 4: Conceiving the Duration of Gestures in Large Hypergestural Regions
- Action n. 5: Unfolding-Condensing Gestural Palimpsests
Stéphanie Benzaquen-Gautier
The Matter of Reenactment: A Materialist Inquiry into Cambodia’s Contemporary Monumental PracticesPrelude
Stefano Mudu
Under the Sign of ReenactmentDuets
Cecilia Alemani et Cristina Baldacci
The Archives of La Biennale di Venezia as the Seventh Muse: Revisiting (Art) HistoryMark Franko et Lucia Ruprecht
Witnessing Versus Belatedness: Representation, Reconstruction, and ReenactmentFrancesca Franco et Daniel Temkin
Reenacting Human-Algorithm Relations: Computational Art Between Today and YesterdayGerald Siegmund et Susanne Traub
Has Reenactment Reached an End?Gabi Ngcobo et Matteo Lucchetti
Postcolonial Swings of Memory: The Center for Historical Reenactments as a Starting PointSusanne Franco et Sven Lütticken
Time Seems Pliable: Historical Strategies of Narration, Preservation, and Transmission