Version classiqueVersion mobile
OpenEdition Books

Henry James's Europe

 | 
Dennis Tredy
, 
Annick Duperray
, 
Adrian Harding

Bibliography of Works Cited

Texte intégral

A. Works by Henry James

”A Day of Days.” In Galaxy 1 (15 June 1866), 298-312.

”A French Watering Place.” In Parisian Sketches. Edel, Leon and Dusoir Lind, Ilse (eds.). London: Rupert Hart-Davis, 1958.

A Small Boy and Others. New York: Charles Scribner’s Sons, 1913.

Autobiography. Dupee, Frederick W. (ed.) Princeton: Princeton University Press, 1983.

  • Dupee, F. W. (ed.). New York: W. H. Allen, 1956.

”Benvolio.” In Henry James. Complete Stories 1874-1884. New York: The Library of America, 1999, 82-125.

Ce que savait Maisie, Yourcenar, Marguerite (trans.). Paris: Laffont, 1947.

Collected Stories. Vol. I. London: Everyman’s Library, 1999, 2 Vols.

Complete Stories 1864-1874. Strouse, Jean (ed.). New York: The Library of America, 1999, 5 Vols.

Complete Stories 1892-1898. Osgood Edition. 1893. New York: The Library of America, 1996.

Confidence. 1879. Ruhm, Herbert (ed.). New York: Grosset and Dunlap, 1962.

  • Stafford, William T. (ed.). New York: The Library of America, 1983.

Correspondance de Gustave Flaubert.” 1893. Rpt in Henry James: Literary Criticism, Volume II: 295-314.

Correspondance de H. de Balzac.” 1877. Rpt in Henry James: Literary Criticism, Volume II: 68-90.

”Daisy Miller.” In Cornhill Magazine 37 (June 1878), 678-98; 37 (July 1878), 44-67.

English Hours. Whitefish, Minnesota: Kessinger Publishing, 2005.

”George Sand: The New Life.” 1902. Rpt. in Henry James: Literary Criticism, Volume II: 755-75.

Hawthorne. 1879. London: Macmillan, 1967.

  • Tanner, Tony (ed.). New York: St. Martin’s, 1967.

Henry James: A Life in Letters. Horne, Philip (ed.). London: Allen Lane, 1999.

Henry James: Literary Criticism, French Writers. Other European Writers. The Prefaces to the New York Edition. Edel, Leon Edel (ed.) with the assistance of Mark Wilson. New York: The Library of America, 1984, 2 Vols.

Henry James: Novels 1871-1880: Watch and Ward, Roderick Hudson, The American, The Europeans, Confidence. William Stafford (ed.). New York: The Library of America, 1983.

”Her and She: Recent Documents.” 1897. Rpt in Henry James: Literary Criticism, Volume II: 736-55.

”Honoré de Balzac.” 1875. Rpt in Henry James: Literary Criticism, Volume II: 31-68.

Italian Hours. Auchard, John (ed.). University Park, Pennsylvania: Pennsylvania State University Press, 1992.

  • Auchard, John (ed. and intr.). New York-London-Victoria-Toronto-

Auckland: Penguin Books, 1995.

Letter to Francis Pharcellus Church or William Conant Church, 27 August [1877]. MS. Galaxy Correspondence. William Conant Church Papers. Manuscripts and Archives Division, New York Public Library, New York.

Letter to Mary Walsh James, 4 July [1878]. MS. James Family Papers. bMS Am 1094 (1869). By permission of the Houghton Library, Harvard University, Cambridge Massachussetts.

Letter to William Conant Church, 26 May [1877]. MS. Galaxy Correspondence. William Conant Church Papers. Manuscripts and Archives Division, New York Public Library, New York.

Letters, Fictions, Lives: Henry James and William Dean Howells. Anesko, Michael (ed.). New York: Oxford University Press, 1997.

Letters of Henry James. Lubbock, Percy (ed). London: Macmillan, 1920, 2 Vols.

Letters of Henry James. Edel, Leon (ed.). Cambridge, Massachussetts: Harvard University Press, 1974-84, 4 Vols.

”Owen Wingrave” (New York edition). In The Ghostly Tales of Henry James. Edel, Leon (ed.). New Brunswick: Rutgers University Press, 1948, 311-52.

Parisian Sketches. Edel, Leon and Dusoir Lind, Ilse (eds.). London: Rupert Hart Davis, 1958.

Preface to The Awkward Age, Vol. IX. 1908. Rpt. in Henry James: Literary Criticism, Volume II: 1120-37.

Preface to The Ambassadors. In The Novels and Tales of Henry James: New York Edition. Vol. XXI.

Preface to The American. In The Novels and Tales of Henry James: New York Edition, Vol. II.

Preface to ”The Siege of London,” ”An International Episode,” ”The Pension Beaurepas,” ”A Bundle of Letters,” and ”The Point of View.” The Novels and Tales of Henry James. Vol. XIV, 1909.

Preface to What Maisie Knew, ”The Pupil,” and ”In the Cage.” The Novels and Tales of Henry James. Vol. XI, 1908. Preface to What Maisie Knew, Vol. XII. 1908. Rpt. in Henry James: Literary Criticism, Volume II: 1156-172.

”Roderick Hudson.” In Atlantic Monthly 35 (January-June 1875): 1-15, 145-60, 297313, 422-36, 515-31, 644-58; 36 (July-December 1875): 58-70, 129-40, 269-81, 385-406, 553-70, 641-65.

  • Boston: Osgood, 1876.
  • Oxford: Oxford University Press, 1980.
  • (1876). Novels 1871-1880. New York: The Library of America, 1983.

Stories Revived. London: Macmillan, 1885, 3 vols.

”The Acting in Mr. Irving’s Faust.” In The Scenic Art. Wade, Allan (ed.). London: Rupert Hart-Davis, 1949.

The Ambassadors. London: Methuen, 1903.

  • The Novels and Tales of Henry James: New York Edition, Vol. XXI.
  • 1903. New York: Penguin, 1986.
  • London: Penguin Books, 1987.
  • Rosenbaum, S. P. (ed.). New York: Norton, 1994.
  • Oxford: Oxford World’s Classics. 2009

”The American.” In Atlantic Monthly 37 (June 1876): 651-73; 38 (July-December 1876): 15-31, 155-70, 310-29, 461-74, 535-50, 641-57; 39 (January-May 1877): 1-18, 161-75, 295-311, 412-25, 530-44.

  • Boston: Osgood, 1877.
  • 1879. New York: Bantam Books, 1971.
  • Tuttleton, James W. (ed.). New York and London: W.W. Norton & Company, 1978.

The American. Novels 1871-1880. New York: The Library of America, 1983, 513-872.

The American Scene. 1907. London: Granville, 1987.

  • Howard, Richard (ed.). New York: The Library of America, 1993.
  • New York: Penguin Books, 1994.

The Art of the Novel. New York: Scribners, 1947.

’The Art of Fiction.’ In Henry James: Selected Literary Criticism. Shapira, Morris Shapira (ed.). Harmondsworth, England: Penguin, 1968, 78-97.

The Aspern Papers (New York edition) (with The Turn of the Screw). Introduction by Kenneth B. Murdoch, London: Everyman’s Library, 1963.

”The Author of Beltraffio.” In Complete Stories, Vol. II (1874-1884). The Awkward Age. New York: Scribner, 1907.

”The Beast in the Jungle.” In The Complete Tales of Henry James Vol. 11. Edel, Leon (ed.). Philadephia: Lippincott, 1964, 12 Vols. 351-402.

”The Birthplace.” In Complete Stories, Vol V (1898-1810).

The Bostonians. 1886. 2ndeds. New York: Oxford University Press, 1998.

The Complete Letters of Henry James 1872-1876, Vol. II. Walker, Pierre A. and Zacharias, Greg W. (eds.). Lincoln: University of Nebraska Press, 2009, 3 Vols.

The Complete Notebooks of Henry James. Edel, Leon and Powers, Lyall (eds.). New York and Oxford: Oxford University Press, 1987.

The Correspondence of William James: William and Henry 1861-1884, Vol. I. Skripskelis, Ignas K. and Berkeley, Elizabeth M. (eds.). Charlottesville: University Press Virginia, 1992-2004, 12 Vols.

”The Europeans.” In Atlantic Monthly 42 (July-October 1878), 52-72, 155-77, 262-83, 404-28.

The Ivory Tower. In The Novels and Tales of Henry James, Vol. XXV. New York: Charles Scribner’s Sons, 1937.

The Golden Bowl (2 Vols.). In The Novels and Tales of Henry James. Vols. XXIII and XXIV. 1909.

  • Harmondsworth: Penguin, 1987.

”The Long Wards.” In The Book of the Homeless. Edith Wharton (ed.). New York: Scribner’s, 1916. 115-25.

The Notebooks of Henry James Mattheissen, Francis O. and Murdock, Kenneth B. (eds.) New York and Oxford: Oxford University Press, 1947. The Portrait of a Lady. More, Geoffrey (ed.). Harmondsworth: Penguin, 1986. (Savoy)

  • London: Everyman, 1995.

”The Private Life.” In Complete Stories, Vol. IV (1892-1898).

The Question of Our Speech. Boston: Houghton-Mifflin, 1905.

The Sacred Fount. New York: Charles Scribner’s Sons, 1923.

”The Saloon.” In The Complete Plays. Edel, Leon (ed.). London: Rupert Hart-Davis, 1949, 641-74.

The Sense of the Past. Percy Lubbock (ed.). The Novels and Tales of Henry James. Vol. XXVI.

”The Story-teller at Large: Mr. Henry Harland.” In The American Essays of Henry James. Edel, Leon (ed.). Princeton, New Jersey: Princeton University Press, 1990.

The Tales of Henry James, Vol. II (1870-1874). Aziz, Maqbool (ed.). Oxford: Clarendon Press, 1978, 348-82.

The Tragic Muse. 1890. New York Edition (1908). Horne, Phillip (ed.). Place: Penguin Books, 1995.

”The Turn of the Screw.” The Novels and Tales of Henry James. Vol. XII. New York: Charles Scribner’s Sons, 1908.

  • and Other Stories. Oxford, New York: Oxford University Press World’s Classics, 1992.
  • New York Edition. 1908. In The Norton Critical Edition. 2nd eds. Esch, Deborah and Warren, Jonathan (eds). New York and London: W.W. Norton and Company, 1999.

The Wings of the Dove (2 Vols). The Novels and Tales of Henry James. Vol. XIX and XX.

  • Harmondsworth: Penguin, 1965.

”Travelling Companions,” Complete Stories, 1864-1874. What Maisie Knew. Adrian Poole (ed.). New York: Oxford University Press, 1998.

William Wetmore Story and His Friends. London: Thames and Hudson, 1903, 2 Vols.

B. Works by other authors

Adams, Henry. The Education of Henry Adams. Boston and New York: Houghton Mifflin Company, 1918.

Albers, Christina. A Reader’s Guide to the Short Stories of Henry James. New York: Hall, 1997.

Anderson, Quentin. ”Why R. P. Blackmur Found James’s Golden Bowl Inhumane.” In ELH (English Literature History) 68: 3 (2001), 725-43.

Anesko, Michael. ”Friction with the Market: Henry James and the Profession of Authorship. New York: Oxford University Press, 1986.

Appiah, Kwame Anthony. Cosmopolitanism: Ethics in a World of Strangers. New York:

Norton, 2007.

  • The Ethics of Identity. Princeton: Princeton University Press, 2007.

Arnold, Matthew. ”Civilization in the United States.” The Complete Prose Works of Matthew Arnold, Vol. X. Super, R. H. (ed.). Ann Arbor: University of Michigan Press, 1977.

  • Essays in Criticism: Second Series. London: Macmillan, 1865. Ascham, Roger. The Schoolmaster in English Works. Wright, William A. (ed.). Cambridge: Cambridge University Press, 1904.

Auchard, John. ”Introduction” to Henry James’s Italian Hours. Auchard, John (ed.). New York-London-Victoria-Toronto-Auckland: Penguin Books, 1995, ix-

xxxii.

Augé, Marc. Le temps en ruines. Paris: Galilée, 2003.

Balzac, Honoré de. Cousin Pons in La Comédie Humaine, Dufief, Pierre and Dufief,

Anne-Simone (eds.). Paris: Omnibus, 1999.

  • Louis Lambert in La Comédie Humaine, Vol. XI, 589-692. Gallimard: Paris, 1980, 20 Vols.

Banta, Martha. ”Introduction.” In New Essays on the American. Banta, Martha (ed.). Cambridge: Cambridge University Press, 1987, 1-42.

  • ”Men, Women, and the American Way.” In The Cambridge Companion to Henry James. New York: Cambridge University Press, 1998, 21-39.
  • (ed.). New Essays on The American. New York: Cambridge University Press, 1987.
  • ”The Quality of Experience in What Maisie Knew.” In New England Quarterly 42 (1969), 483-510.

Battilana, Marilla. Venezia sfondo e simbolo nella narrativa di Henry James. Milano: Laboratorio delle Arti, 1971.

Bell, Millicent. Meaning in Henry James. Cambridge, Massachussetts and London: Harvard University Press, 1993.

Berman, Jessica. ”Feminizing the Nation: Woman as Cultural Icon in Late James.” In Henry James Review 17: 1 (1996), 58-76.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin, 1988.

Bersani, Leo. A Future for Astyanax: Character and Desire in Literature. Boston: Little, Brown, 1976.

  • ”The Jamesian Lie.” In Partisan Review 36: 1 (Winter 1969), 53-79.

Bhabha, Homi. ”Border Lives: The Art of the Present.” In Defining Travel: Diverse Visions. Roberson, Susan (ed.). Jackson, MI: University Press of Mississippi, 2001, 157-66.

Black, William. ”Madcap Violet.” Galaxy 21 (January-June 1876), 102-10, 149-64, 293-317, 461-85, 602-23, 738-61; 22 (July-Dec. 1876): 21-42, 169-87, 303-08, 457-77, 581-603, 725-47; 23 (Jan. 1877): 30-42.

Blackmur, Richard P. The Art of the Novel: Critical Prefaces By Henry James. New York: Charles Scribner’s Sons, 1934.

Blanche, Jacques-Émile. Portraits of a Lifetime. Clement, Walter (trans. and ed.). London: Dent, 1937.

Bogardus, Ralph F. Pictures and Texts: Henry James, A.L. Coburn, and New Ways of Seeing in Literary Culture. Ann Arbor, Michigan: UMI Research Press, 1984.

Bourdieu, Pierre. Distinction. A Social Critique of the Judgment of Taste (1979). Nice, Richard (trans.). Harvard: Harvard University Press, 1987.

  • The Rules of Art: Genesis and Structure of the Literary Field. Emanuel, Susan (trans.). Stanford: Stanford University Press, 1996.

Bowen, Ray P. ”Balzac’s Interior Descriptions as an Element in Characterization.” In PMLA 40: 2 (June 1925), 289-301.

Brissenden, Robert F. Virtue in Distress: Studies in the Novel of Sentiment from Richardson to Sade. London and Basingstoke: The Macmillan Press, 1974.

Britten, Benjamin, cond. English Chamber Orchestra. Owen Wingrave; A Television Opera (1971). Dir. Brian Large and Colin Grahame. A BBC Recording. The Britten-Pears Collection. London: Decca, 2009.

  • Libretto. Owen Wingrave. An Opera in Two Acts. Op. 85. Music by Myfanwy Piper based on the short story by Henry James. Study Score (1970). London: Faber Music, 1995.

Britzolakis, Christina. ”Technologies of Vision in Henry James’s What Maisie Knew.” In NOVEL: A Forum on Fiction 34 (Summer 2001), Providence: Novel Corporation, Brown University, 369-90.

Brontë, Charlotte. Jane Eyre (1847). London: J.M. Dent and Sons, 1922.

Brooks, Peter. Henry James Goes to Paris. Princeton, New Jersey: Princeton University Press, 2007.

  • The Melodramatic Imagination. New Haven: Yale University Press, 1976.
  • Reading for the Plot: Design and Intention in Narrative. Cambridge, Massachussetts: Harvard University Press, 1984.

Buffet, Warren. ”To the Shareholders of Berkshire Hathaway.” March 2, 1990. http://www.berkshirehathaway.com/letters/1989.html.

Buell, Lawrence. ”Fictive Nation-Building on the Grand Scale: Contested Templates for the ’Great American Novel.’” In English Now: Selected Papers from the 20th IAUPE Conference in Lund 2007. Thormälen, Marianne (ed.). Lund, Sweden: Centre for Languages and Literature, Lund University, 2008, 90-101.

Buitenhuis, Peter. The Grasping Imagination: The American Writings of Henry James. Toronto: University of Toronto Press, 1970.

Burrows, Stuart. ”The Golden Fruit: Innocence and Imperialism in The Golden Bowl.” In The Henry James Review 21: 2 (2000), 95-114.

Buzard, James. ”A Continent of Pictures: Reflections on the ”Europe” of Nineteenth-Century Tourists.” In PMLA 108: 1 (January 1993), 30-44.

Byron, Lord. A Self-Portrait. Letters and Diaries 1798 to 1824. Quennell Peter (ed.). London: Murray, 1950.

Cargill, Oscar. ”The First International Novel.” In PMLA 73 (September 1958); 418-25.

  • The Novels of Henry James. New York: Hafner, 1971.

Castle, Terry. The Female Thermometer: Eighteenth Century Culture and the Invention of the Uncanny. Oxford, New York: Oxford University Press, 1995.

Chambers Twenty-First Century Dictionary. Robinson, Mairi (ed.). Edinburgh: Harrap, 1999.

Chinitz, Lisa G. ”Fairy Tale Turned Ghost Story: James’s The Turn of the Screw.” The Henry James Review. Vol. 15: 3 (Fall 1994): 264-85.

Clegg. Jeanne. Ruskin and Venice. London: Junction Books, 1981.

  • ”Superficial pastimes, fine emotions and metaphysical intentions: James and Ruskin in Venice.” in Henry James e Venezia. Perosa, Sergio (ed.). Firenze: Olschki, 1987, 159-70.

Coburn, Alvin Langdon. Men of Mark. New York: Mitchell Kennedy, 1913.

Cohen, Paula Marantz. The Daughter’s Dilemma: Family Process and the Nineteenth Century Domestic Novel. Ann Arbor, Michigan: University of Michigan Press, 1992.

Coryat, Thomas. Coryat’s Crudities. Glasgow: James MacLehose & Sons, 1905, 2 Vols.

Cox, James M. ”The Memoirs of Henry James: Self-Interest as Autobiography.” In Studies in Autobiography. Olney, James (ed.). New York: Oxford University Press, 1988.

Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Massachussetts: The MIT Press, 2001.

De Man, Paul. The Resistance to Theory. Minneapolis: University of Minnesota Press, 1986.

Diderot, Denis. ”Paradoxe sur le comédien” (1830). In Œuvres esthétiques. Vernière, P. V (ed.). Paris: Classiques Garnier, 1988.

Dunbar, Viola. ”A Note on the Genesis of Daisy Miller.” In Philological Quarterly 27 (1948), 184-86.

Eagleton, Terry. Criticism and Ideology. London: Verso, 1978.

Eakin, Paul John. Fictions in Autobiography: Studies in the Art of Self-Invention. Princeton: Princeton University Press, 1985.

Edel, Leon. Henry James. A Life. New York: Harper and Row, 1977.

  • Henry James, Vol. II. The Conquest of London: 1870-1883. London: Rupert Hart-Davis, 1962, 5 Vols.
  • Henry James, Vol. V. The Master: 1901-1916. New York: J.B. Lippincott, 1972, Vols.
  • Introduction. Stories of the Supernatural (formerly Ghost-Stories). New York: Taplinger Publishing Company, 1970.

Edel, Leon, and Tintner, Adeline R. The Library of Henry James. Ann Arbor: UMI Research Press, 1987.

Eliot, T.S. ”Portrait of a Lady.” Prufrock and Other Observations. London: The Egoist, Ltd., 1917, 17-23.

Evans, John. ”A Case for Pacifism.” In The Britten Companion. Palmer, Christopher (ed.). Cambridge: Cambridge University Press, 1984, 227-37.

Fargnoli, Joseph. ”Henry James’s The American Scene: A Vade Mecum for Writing American Culture.” In American Transcendental Quarterly (ATQ) 2 (1988): 312-26.

Feinstein, Howard M. Becoming William James. Ithaca: Cornell University Press, 1984.

Fielding, Henry. Amelia. 1759. Rpt. Whitefish, Montana: Kessinger Publishing, 2004.

Follini, Tamara L. ”James, Ruskin, and The Stones of Venice.” In Tracing Henry James. Ross, Melanie H. and Zacharias, Greg W. (eds.). Cambridge: Cambridge Scholars Publishing, 2008, 124-36.

Franklin, Benjamin. Autobiography. New York: P. F. Collier, 1909.

Freedman, Jonathan. ”Introduction: The Moment of Henry James.” In The Cambridge Companion to Henry James. Freedman, Jonathan (ed.). Cambridge: Cambridge University Press, 1998. 1-20.

  • Professions of Taste: Henry James British Aestheticism, and Commodity Culture. Stanford: Stanford University Press, 1990.

Freud, Sigmund. ”Notes Upon a Case of Obsessional Neurosis.” In Case Histories II: The Rat Man,’ Schreber,Wolf Man,’ a Case of Female Homosexuality. Richards, Angela (ed.). Strachey, Alix and Strachey, James (trans.). London: Penguin Books, 1979, 31-128.

  • ”The Uncanny.” In Art and Literature: Jensen’s Gradiva, Leonardo Da Vinci and Other Works. Dickson, Albert (ed.). Strachey, Alix (trans.). Harmondsworth, Middlesex: Penguin, 1985, 335-76.

Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: University of California Press, 1980.

  • Manet’s Modernism, or, the Face of Painting in the 1860’s. Chicago: University of Chicago Press, 1996.

Fussell, Edwin. The Ambassadors: Gloire Complete, The French Side of Henry James. New York: Columbia University Press, 1990.

  • The French Side of Henry James. Cambridge: Cambridge University Press, 1993.

Genette, Gérard. Figures of Literary Discourse. Sheridan, Alan (trans.). Oxford: Blackwell, 1982.

Giddens, Anthony. The Consequences of Modernity. Cambridge: Polity, 1990.

Giles, Paul. ”Transnationalism and Classic Amerian Literature.” In PMLA 118 (January 2003), 62-77.

Goethe, Johann Wolfgang von. Goethe’s Werke. Vollständige Ausgabe letzter Hand. Stuttgart: Cotta, 1827-42, 60 vols.

Goldstein, Laurence. Ruins and Empire. The Evolution of a Theme in Augustan and Romantic Literature. Pittsburgh: University of Pittsburgh Press, 1977.

Greene, John Patrick. ”Balzac’s Most Helpless Heroine: The Art Collection in Le Cousin Pons.” In The French Review 69: 1 (October 1995), 13-23.

Greenslade, William. ”The Power of Advertising: Chad Newsome and the Meaning of Paris in The Ambassadors.” In ELH (English Literary History) 49 (Spring 1982), 99-122.

Gunter, Susan E. and Jobe, Steven H. (eds.). Dearly Beloved Friends: Henry James’s Letters to Younger Men. Ann Arbor, Michigan: University of Michigan Press, 2001.

Haviland, Beverly. Henry James’ Last Romance. Making Sense of the Past and the American Scene. Cambridge: Cambridge University Press, 1997.

[Hazlitt, William.] ”Of Persons One Would Wish To Have Seen.” In New Monthly Magazine 16 (January 1826), 32-41.

Higgins, Charles. ”Photographic Aperture: Coburn’s Frontispieces to James’s New York Edition.” In American Literature 53 (1982), 661-75.

Hillis Miller, James. Versions of Pygmalion. Cambridge and London: Harvard University Press, 1990, 23-81.

Hoeveler, Diane Long. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. University Park, Pennsylvania: Pensylvania University Press, 1997.

  • ”Romancing Venice: the courtship of Percy Shelley in James’s The Aspern Papers.” In Tracing Henry James. Ross, Melanie H. and Zacharias, Greg W. (eds.). Cambridge: Cambridge Scholars Publishing, 2008, 155-67.

Holland, John. ”The Palace of Thought.” In Critical Essays on Jacques Lacan. Ragland-Sullivan, Ellie (ed.). New York: G.K. Hall, 1999, 119-41.

Horace. The Complete Odes and Epodes West, David West (trans.). Oxford: Oxford University Press, 1997.

Horne, Philip. Henry James: A Life in Letters. Harmondsworth: Penguin, 1999.

  • Henry James and Revision. Oxford: Clarendon Press, 1990.
  • ’Henry James and the Poetry of Association.’ Unpublished doctoral thesis, University of Cambridge, 1982.
  • ’James Among the Poets.’ In Henry James Review 26: 1 (2005), 68-81.
  • (ed.) Introduction. Henry James. The Tragic Muse (1890). New York Edition (1908). London: Penguin Books, 1995, vii-xxix.

Horne, Alistair. Seven Ages of Paris. New York: Vintage, 2004.

Howells, William Dean. Letter to Francis Pharcellus Church or William Conant Church, 29 February 1876. MS. Galaxy Correspondence. William Conant Church Papers. Manuscripts and Archives Division, New York Public Library, New York.

  • Letter to Francis Pharcellus Church or William Conant Church, 5 March 1876. MS. Galaxy Correspondence. William Conant Church Papers. Manuscripts and Archives Division, New York Public Library, New York.

Hutchinson, Stuart. The American Scene: Essays on 19th-century American Literature. New York: St. Martin’s, 1991.

Hutchison, Hazel. ”The Other Lambert Strether: Henry James’s The Ambassadors, Balzac’s Louis Lambert, and J. H. Lambert.” In Nineteenth-century Literature, 58: 2 (September 2003), 230-58.

Ibsen, Henrik. The Master Builder, Rosmersholm, Little Eyolf, John Gabriel Borkman. Ellis-Fermor, Una (trans.). Harmondsworth: Penguin, 1969.

Irwin, William. ’The Aesthetics of Allusion’. The Journal of Value Inquiry 36: 4 (2002).

Izzo, Donatella. Henry James. Firenze: La Nuova Italia, 1981.

  • Portraying the Lady: Technologies of Gender in the Short Stories of Henry James. Lincoln: University of Nebraska Press, 2001.

Jackson, J. B. The Necessity for Ruins and Other Topics. Amherst, Massachusetts: University of Massachusetts Press, 1980.

Johnson, Stuart. ”American Marginalia: James’s The American Scene.” In Texas Studies in Literature and Language 24: 1 (1982), 83-101.

Kaplan, Fred. Henry James: The Imagination of Genius. London: Sceptre, 1993.

Karénine, Wladimir. George Sand: Sa vie et ses oeuvres. Paris: Plon, Vols. I and II, 1899; Vol. III, 1912, 4 Vols.

Kenton, Edna. ”Henry James in the World.” In The Question of Henry James. Dupee, F.W. (ed.). New York: Holt, 1945. 131-37.

King, Kristin. ”Ethereal Milly Theale in The Wings of the Dove: The Transparent Heart of James’s Opaque Style.” In The Henry James Review 21: 1 (2000), 1-13.

Kipling, Rudyard. ”France.” Rudyard Kipling’s Verse: Inclusive Edition, 1885-1918. Garden City, New York: Doubleday, Page & Co., 1919. 336.

Kristeva, Julia. Word, Dialogue and Novel and Revolution in Poetic Language in Moi, Toril (ed.). The Kristeva Reader. New York: Columbia University Press, 1986.

Lacan, Jacques. The Four Fundamental Concepts of Psycho-analysis. Miller, Jacques-Alain (ed.). Sheridan, Alan (trans.). New York: Norton, 1978.

Lamartine, Alphonse de. Confidential Disclosures. Plunkett, Eugène (trans.). New York: D. Appleton & Co., 1849.

Lanchester, John. ”Cityphobia.” In London Review of Books 30: 20 (23 October 2008), 3-5.

  • ”Melting Into Air, or, Before the Financial System Went Bust, It Went Postmodern.” In The New Yorker, 10 November 2008, 80-84.

Lane, Christopher. ”Jamesian Inscrutability.” In The Henry James Review. 20:3 (1999), 244-54.

Lapham, Lewis. ”Achievetrons.” In Harper’s Magazine 318: 1906 (March 2009), 9-11.

Lawrence, D.H. ”The ’Jeune Fille’ Wants to Know” (1928). In Phoenix II. London: Heinemann, 1968,

Levinas, Emmanuel. Totality and Infinity. Essay on Exteriority. Lingis, Alphonso (trans.). Pittsburgh: Duquesne University Press, 1969.

Lucking, David. ”Romance as Irony in The American by Henry James.” In Quadreni 2 (1980). Ist. Di Lingue e Lett. Straniere, Univ. degli Studi di Lecce, 93-115.

Lustig, Tim. ”James, Arnold, ’Culture’and ’Modernity’; or ATale of Two Dachsunds.” In The Cambridge Quarterly 7:1 (2008), 164-93.

  • Introduction. ”The Turn of the Screw and Other Stories, Oxford, New York: Oxford University Press World’s Classics, 1992.

McWhirter, David (ed.). Henry James’s New York Edition: The Construction of Authorship. Stanford: Stanford University Press, 1995.

Mamoli Zorzi, Rosella. ”The Text is the City; the Representation of Venice in Two Tales by Irving and Poe and a novel by Cooper.” in RSA Rivista di Studi Anglo-americani 6:8 (1990), 285-300.

  • ”Intertextual Venice: Blood and Crime and Death Renewed in Two Contemporary Novels.” In Venetian Views, Venetian Blind. Pfister, Manfred and Schaff, Barbara (eds.). Amsterdam: Rodopi, 1999, 225-36.
  • ” ’A Knock-down Insolence of Talent’: Sargent, James, and Venice.” In Sargent’s Venice. Adelson, Warren; Gerdts, William H.; Kilmurray,Elaine; Mamoli Zorzi, Rosella; Ormond, Richard; and Oustinoff, Elizabeth. (eds.). New Haven: Yale University Press, 2006, 140-59.
  • In Venice and in the Veneto with Henry James. Venezia: Supernova, 2005.

Marivaux, Pierre. False Admissions, Successful Strategies, La Dispute. Wertenbaker, Timberlake (trans.). London: Oberon, 1997.

  • Les Fausses Confidences. Mason, H. T. (ed.). Oxford: Oxford University Press, 1964.

Marotta, Kenny. ”What Maisie Knew: The Question of Our Speech.” In ELH (English Literary History) 46 (1979), Baltimore: The Johns Hopkins University Press, 495-508.

Melchiori, Giorgio G. ”Locksley Hall Revisited.” Review of English Literature 6 (October 1965), 9-25.

Melville, Herman. The Confidence-Man: His Masquerade. 1857. Parker, Hershel (ed.). New York: Norton, 1971.

Méral, Jean. Paris in American Literature. Long, Laurette (trans.). Chapel Hill: University of North Carolina Press, 1989.

Milbank, Alison. ”Gothic Femininities.” In The Routledge Companion to Gothic. Catherine Spooner and Emma McEvoy (eds.). London and New York: Routledge, 2007. 155-63.

Mitchell, William J. Thomas. What Do Picvtures Want? The Lives and Loves of Images. Chicago: University of Chicago Press, 2005.

Moretti, Franco. Modern Epic: The World System from Goethe to Garcia Marquez. London: Verso, 1996.

  • ”Conjectures on World Literature.” In Prendergast, Christopher (ed.). Debating World Literature. London: Verso, 2004.

Mulhallen, Jaccqueline, The Theatre of Shelley. Cambridge: Open Book Publishers, 2010.

Muratov, Pavel. Obrazy Włoch [Images of Italy]. Hertz, Pawel (Polish trans.) Warszawa: Panstwowy Instytut Wydawniczy, 1972.

Nadel, Ira B. ”Visual Culture: The Photo Frontispieces of the New York Edition.” in Henry James’s New York Edition: The Construction of Authorship. McWhirter, David (ed.), Stanford: Stanford Uuniversity Press, 1995, 90-108.

Nashe, Thomas. The Unfortunate Traveller and Other Works. Stearns, John Barry (ed.). Harmondsworth: Penguin, 1971.

Nedelmann, Birgitta. ”Oggetti d’arte – oggetti artigianali: Il problema dello stile di vita” in Borsari, Andrea (ed.). L’esperienza delle cose. Genova: Marietti, 1992, 193-207.

O’Gorman, Francis. ” ’Fabulous and Illusive’: Giorgione and Henry James’s The Aspern Papers.” In The Henry James Review, 27 (2006), 175-87.

O’Hara, Daniel T. Empire Burlesque: The Fate of Critical Culture in Global America. Durham: Duke University Press, 2003.

Olney, James. ”Psychology, Memory, and Autobiography: William and Henry James.” In The Henry James Review 6:1 (1984), 46-51.

Oltean, Roxana. Eternal America. Henry James and the Globalizing Imagination. Bucharest: The University of Bucharest Press, 2007.

  • ” ’I Longed for a New World’: Colonial Hysteria, The American, and Henry James’s Paris.” In Henry James Review 24 (2003), 269-80.
  • Spaces of Utopia in the Writings of Henry James. Bucharest: The University of Bucharest Press, 2005.

Orlando, Francesco. Obsolete Objects in the Literary Imagination: Ruins, Relics, Rarities, Rubbish, Uninhabited Places, and Hidden Treasures. Yale: Yale University Press, 2006.

Oxford English Dictionary. 2nd Edition. Volume II. Oxford: Clarendon Press, 1989, 20 Vols.

Ovid. Ars Amatoria (The Art of Love). Book II. Yalden, Thomas (trans.). London: Wordsworth Classics, 2000, 3 Books.

Parkinson, Edward J. ” ’The Turn of the Screw’ and its Critical Interpretations, 1897-1979. 1991 Doctoral Thesis, Saint Louis University. www.turnofthe screw.comT1">Appreciations, with an Essay on Style. London: Macmillan, 1889.

Paumgarden, Nick. ”Arithmetic Department: In for It.” In The New Yorker, 17 November 2008, 43-4.

Pearson, John H. ”Repetition and Subversion in Henry James’s The Turn of the Screw.” The Henry James Review. 13/3 (Fall 1992): 275-91.

Pemble, John. Venice Rediscovered. Oxford: Clarendon Press, 1995.

Perrot, Jean. Henry James: une écriture énigmatique. Paris: Aubier Montaigne, 1982.

Petry, Alice Hall. ”Jamesian Parody: Jane Eyre and The Turn of the Screw.” Modern Language Studies. Vol. 13/4, Henry James Issue (Autumn 1983): 61-78.

Pety, Dominique. Les Goncourt et la collection: de l’objet d’art à l’art d’écrire. Genève: Droz, 2003.

Pfister, Manfred (ed.). The Fatal Gift of Beauty. The Italies of British Travellers. An Annotated Anthology. Amsterdam: Rodopi, 1996.

Piper, Myfanwy. Owen Wingrave. An Opera in Two Acts. Set to Music by B. Britten Op. 85. London: Faber Music, 1971.

Poirier, Richard. Introduction. The American by Henry James. New York: Bantam Books, 1971.

Posnock, Ross. ”Breaking the Aura of Henry James.” In Henry James’s New York Edition: The Construction of Authorship. McWhirter, David (ed.). Stanford: Stanford University Press, 1995, 23-38.

  • ”The Politics of Nonidentity: A Genealogy.” In Boundary 2 19:1 (1992), 34-68.
  • The Trial of Curiosity: Henry James, William James, and the Challenge of Modernity. New York: Oxford University Press, 1991.

Powers, Lyall (ed). Henry James and Edith Wharton, Letters 1900-1915. New York: Scribners, 1999.

Praz, Mario. La carne, la morte e il diavolo nella letteratura romantica (1930). Firenze: Sansoni, 2003.

”R. N.” ”Personal Character of Lord Byron.” In London Magazine 10 (October 1824), 337-47.

Randal, Michael. The Harvard Dictionary of Music. 4th eds. Cambridge, Massachussetts: The Belknap Press, 2003.

Ricks, Christopher. Allusion and the Poets. Oxford: Oxford University Press, 2002.

Rimmon, Shlomith. The Concept of Ambiguity: The Example of James. Chicago: University of Chicago Press, 1977.

Rivkin, Julie. False Positions: The Representational Logics of Henry James’s Fiction. Stanford, California: Stanford University Press, 1996.

Robb, Graham. Balzac. New York: W. W. Norton, 1994.

Rodas, Julie M. ”On the Spectrum: Rereading Contact and Affect in Jane Eyre. 19th Century Gender Studies, 4.2 (Summer 2008). http://ncgsjournal.com/issue42/rodas.htm

Rosenbaum, S. P. ”Two Henry James Letters on The American and Watch and Ward.” In American Literature 30 (1958-1959), 533-37.

Rowe, John Carlos. Literary Culture and U.S. Imperialism: from the Revolution to World War II. New York: Oxford University Press, 2000.

Saltz, Laura. ”Henry James’s Overexposures.” In Henry James Review 25 (2004), 254-66.

Savoy, Eric. ”Subjunctive Biography.” In The Henry James Review. 27:3 (2006), 248-56.

Sawyer-Lauçanno, Christopher. E. E. Cummings: A Biography. Naperville, Illinois: Sourcebooks, 2004.

Schapiro, Meyer. Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text. 1973. Berlin: Walter de Gruyter Publishers, 1983.

Schiller, Friedrich. Der Geisterseher. Stuttgart: Philipp Reclam, 1996; French edition, Le Visionnaire. Preface par Pierre Péju, Paris: José Corti, 1996.

Schneider, Daniel J. ’The Figure in the Carpet of Henry James’s Confidence.’ In The Henry James Review 4: 2 (1983), 120-27.

Schwarz, Daniel R. ”A Humanistic Ethics of Reading.” In Mapping the Ethical Turn: A Reader in Ethics, Culture, and Literary Theory. Davis, Todd F. and Womack, Kenneth. Charlottesville: University of Virginia Press, 2001, 3-15.

Sedgwick, Eve Kosofsky. ”Shame and Performativity: Henry James’s New York Edition Prefaces.” in Henry James’s New York Edition: The Construction of Authorship. McWhirter, David (ed.). Stanford: Stanford University Press, 1995, 206-39.

Shakespeare, William. Hamlet. Jenkins, Harold (ed.). London: Methuen, 1982.

  • Love’s Labour’s Lost. Cohen, Walter (ed.). The Norton Shakespeare. New York: W.W. Norton & Co., 1997, 733-802.
  • The Oxford Shakespeare: Hamlet. Hibbard, G. R. (ed.). Oxford: Oxford University Press, 1987.
  • The Works of William Shakespeare. Clark, William George Clark and Wright, William Aldis (eds.). The Globe Edition. Cambridge and London: Macmillan & Co., 1864.
  • The Works of Shakespeare, Vol. I. Herford, C.H. Herford (ed.). London: Macmillan & Co., 1899, 10 vols.

”Shakespeare’s Critics: English and Foreign.” In Edinburgh Review 90 (July 1849), 39-77.

Shelley, Percy Bisshe. The Poetical Works. London: Ward, Lock & Co., n.d.

Sherman, Daniel and Irit Rogoff (eds). Museum Culture: Histories, Discourses, Spectacles. London: Routledge, 1994.

Siegel, James T. ”Georg Simmel Reappears: ’The Aesthetic Significance of the Face.’” Diacritics 29 (1999), 100-13.

Simmel, Georg. ”The Aesthetic Significance of the Face.” In Georg Simmel, 1858-1918. Wolff, Kurt H. (ed.). Columbus: Ohio State University Press, 1959, 276-81.

Southam, Brian. A Student’s Guide to the Selected Poems of T S Eliot. London: Faber & Faber, 1994.

Stephens, Winifred (ed.). The Book of France. London: Macmillan, 1915.

Stone, Edward. The Battle and the Books. Athens: Ohio University Press, 1964.

Stoppard, Tom. The Real Inspector Hound. London: Faber & Faber, 1970.

Story, Emelyn. Unpublished manuscript notes. Harry Ransom Humanities

Research Center, The University of Texas at Austin, MS (Story, EE), Works [Anecdotes and reminiscences].

Tambling, Jeremy. Henry James. New York: St. Martin’s Press, 2000.

Tanner, Tony. Venice Desired. Cambridge: Harvard University Press, 1992.

Teahan, Sheila. The Rhetorical Logic of Henry James. Baton Rouge: Louisiana State University, 1995.

Teyssandier, Hubert. ”Modèles et représentations dans The Tragic Muse.” In Henry James ou le fluide sacré de la fiction, Geoffroy-Menoux, Sophie (ed.). Paris: L’Harmattan, 1998.

Thoreau, Henry David. Walden. Boston: Beacon Press, 2004.

Tinayre, Marcelle. Avant l’Amour, Paris: Calmann-Lévy, 1897.

Tintner, Adeline R. ”Henry and William James and Titian’s Torn Glove.” In Iris: Notes in the History of Art 1 (February 1982), 22-24.

  • ”Henry James and the First World War: The Release from Repression.” Literature and War: Reflections and Refractions. Trahan, Elizabeth W. (ed.). Monterey: Monterey Institute of International Studies, 1985.
  • The Book World of Henry James. Appropriating the Classics. With a foreword by Leon Edel. Ann Arbor, Michigan: UMI Research Press, 1987.
  • The Cosmopolitan World of Henry James: An Intertextual Study. Baton Rouge, Louisiana and London: Louisiana State University Press, 1991.
  • The Museum World of Henry James. Ann Arbor, Michigan: UMI Research Press, 1986.
  • ” ’The Old Things’: Balzac’s Le Curé de Tours and James’s The Spoils of Poynton.” In Nineteenth-century Fiction 26:4 (Mar 1972), 436–55.
  • ”The Spoils of Henry James.” In PMLA 61:1 (March 1946), 239-51.

Veblen, Thorstein. Theory of the Leisure Class (1899). New York: Penguin, 1994.

Veeder, William. Henry James – The Lessons of the Master: Popular Fiction and Personal Style in the Nineteenth Century. Chicago: University of Chicago Press, 1975.

Venezia nell’Ottocento. Pavanello, Giuseppe and Romanelli, Giandomenico (eds.). Milano: Electa, 1983.

Venn, Couze. Occidentalism. Modernity and Subjectivity. London: Sage Publications, 2000.

Wade, Allan. Henry James: The Scenic Art: Notes on Acting and the Drama, 1872-1901. London: Rupert Hart-Davies, 1949.

Walker, Pierre A. ” ’Adina’: Henry James’s Roman Allegory of Power and the Representation of the Foreign.” In The Henry James Review. 21: 1 (Winter 2000), 14-26.

  • Reading Henry James in French Cultural Contexts. De Kalb, Illinois: Northern Illinois University Press, 1995.

Ward, Susan P. ”Painting and Europe in The American.” In American Literature 46:4 (January 1975), 566-73.

Watson, Janell. Literature and Material Culture form Balzac to Proust: The Collection and Consumption of Curiosities. Cambridge UK: Cambridge University Press, 1999.

Weissman, Steven R. ”Bernanke Nods at Possibility of Recession.” The New York Times. April 2, 2008.

Wharton, Edith. A Son at the Front (1923). DeKalb: Northern Illinois University Press, 1995.

Whittall, Arnold. ”Britten’s Lament: The World of Owen Wingrave.” In Music Analysis, 19:2 (2000), 145-66.

Wilde, Oscar. A Woman of No Importance: A Play. 1893. Leipzig: B. Touchnitz, 1909.

Williams, Raymond. Marxism and Literature. Oxford: Oxford University Press, 1977.

  • ”The Metropolis and Modernism.” In Universal City: Urban Experience in Modern European Literature and Art. Edward Timms and David Kelly (eds.). Manchester: Manchester University Press, 1985. 13-24.

Woodward, Christopher. In Ruins. London: Chatto and Windus, 2001.

Woolf, Virginia. The Common Reader, First Series, Annotated Edition. 1925. Andrew McNeillie (ed.). Fort Washington, PA: Harvest Books, 1984.

Wullschlager, Jackie. Chagall, Love and Exile. St. Petersburg: Léon Bakst, 1909-1911; London: Allen Lane, 2008.

Acheter

Volume papier

Chargement

Unavailable