Verdi in Victorian London
|Appendix III: The Periodicals
Texte intégral
The Athenaeum (weekly) |
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1830 |
Charles Wentworth Dilke assumes the editorship of the journal |
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1833 |
Henry F. Chorley joins the journal as music critic |
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1868 |
Campbell Clarke (critic) |
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1870 |
Charles L. Gruneisen (critic) |
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1879 |
Ebenezer Prout (critic) |
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1888 |
Henry F. Frost (critic) |
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1898 |
John S Shedlock (critic until 1916) |
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The Musical World (weekly) |
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1836 |
Joseph A. Novello founds the journal |
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1839 |
George Alexander Macfarren takes over the editorship |
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1840 |
James William Davison becomes music critic, soon after Alfred Day |
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1844 |
Davison becomes half-proprietor of the journal |
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1846 |
Desmond Ryan is appointed assistant editor |
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1868 |
Joseph Bennett becomes assistant editor after Ryan’s death (his name as a Muttonian was “Thaddeus Egg”) and chief editor after Davison’s death in 1885 |
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1886 |
Francis Hueffer (critic) |
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1888 |
Edgard Frederick Jacques (critic until 1891) |
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The Musical Times (monthly) |
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1842 |
The Musical Times and Singing Class Circular is founded by Joseph Mainzer |
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1844 |
Joseph A. Novello acquires the journal, whose title is changed to The Musical Times, and assumes its editorship |
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1853 |
Mary Cowden Clarke, Novello’s sister, edits the journal |
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1864 |
Henry Charles Lunn is editor of the journal; contributors to the journal in the 1870s and 1880s include Filippo Filippi, Joseph Bennett, George Alexander Macfarren and Edward Holmes |
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1887 |
William Alexander Barrett succeeds Lunn as editor, a position he keeps until his death |
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1891 |
Edgard Frederick Jacques becomes editor |
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The Times (daily) |
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1846 |
Charles Kenney falls ill and James William Davison is appointed chief music critic |
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1878 |
Upon Davison’s retirement Francis Hueffer is appointed in the same capacity |
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1889 |
John Alexander Fuller Maitland assumes the position until 1911 |
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