A Musicology of Performance
|List of Tables
Texte intégral
11.1 Studied Recordings Listed by Chronology of Violinists’ Year of Birth. 19
23.1 Definition of Stylistic Features as Listed in Column Headings in Table 3.3. 110
33.2 Movement by Movement Tendency of Selected Violinists’ Interpretative Styles. 112
43.3 Average scores of subjectively rated HIP and MSP performance features in forty selected recordings.114
54.1 Summary of Tempo Trends 1977-2010. 132
64.2 Average MSP and HIP Tempos across All Studied Recordings Made since 1903 (Joachim). 132
74.3 Average Tempos in Recordings Made Pre and Post 1978 (before or after Luca). 134
84.4 Vibrato Rate, Width (depth) and Frequency of Use. 141
94.5 Most Embellished Movements Listed in Order of Amount of Ornamentation. 154
104.6 Summary of Solutions in the Penultimate Bars of the A minor Grave. 168
114.7 Average Dotting Ratios in the D minor Corrente, C Major Adagio, and B minor Allemanda. 174
124.8 Summary of Basic Difference in Executing Bars 35-41 of the G minor Fuga. 187
134.9 Summary of Modifications in the B minor Sarabande. 191
145.1 E Major Gavotte en Rondeau, A Generalized Summary of Performance Characteristics. 208
155.2 Violinists who made more than one recording of the Solos between 1977 and 2010. 217
165.3 Standard Deviations of Zehetmair’s tempo choices in the E Major Partita. 248
175.4 Standard Deviations of Monica Huggett’s tempo choices in Sonata movements. 252
185.5 Standard Deviations of Monica Huggett’s tempo choices in Partita movements. 252
195.6 Structural Subdivisions of the E Major Preludio according to Dario Sarlo. 255
205.7 E Major Preludio — Summary of Aural Analysis of selected recordings according to the 8 sections identified by Sarlo. 260
Le texte seul est utilisable sous licence CC BY 4.0. Les autres éléments (illustrations, fichiers annexes importés) sont « Tous droits réservés », sauf mention contraire.