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Investigations: The Expanded Field of Writing in the Works of Robert Morris

 | 
Katia Schneller
, 
Noura Wedell

Bibliography

Texte intégral

Writings by Robert Morris

1960 “Blank Form.” Reprinted in Cherix, Christophe. Robert Morris, estampes et multiples, 1952-1998: catalogue raisonné. Genève/Chatou: Cabinet des Estampes/Centre national de l’estampe et de l’art imprimé, 1999, p. 127.

1960-1963 “Letters to John Cage.” October, no. 81 (Summer 1997), pp. 70-79.

1961 “A Method for Sorting Cows.” Art and Literature, no. 2 (Winter 1967), pp. 180-181; reprinted in Robert Morris. Exhibition catalogue. London: Tate Gallery, 1971, p. 8.

1965 “Notes on Dance.” Tulane Drama Review, vol. 10, no. 2 (Winter), pp. 179-186; reprinted in Sandford, Mariellen R. Happenings and Other Acts. London: Routledge, 1995, p. 171.

1966 “Notes on Sculpture.” Artforum, vol. 4, no. 6 (February), pp. 42-44; reprinted in Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968, pp. 222-228; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 1-10.

1966 “Dance.” The Village Voice (3 February), p. 8, pp. 24-25.

1966 “Dance, Part 2.” The Village Voice (10 February), p. 15.

1966 “Notes on Sculpture, Part 2.” Artforum, vol. 5, no. 2 (October), p. 20-23; reprinted in Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968, pp. 228-235; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, p. 11-22.

1967 “Notes on Sculpture, Part 3: Notes and Nonsequiturs.” Artforum, vol. 5, no. 10 (June), pp. 24-29; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 23-40.

1968 Statement in Robert Morris. Paris: Galerie Ileana Sonnabend, and in Robert Morris. Exhibition catalogue. Eindhoven: Stedelijk van Abbemuseum.

1968 “Anti Form.” Artforum, vol. 6, no. 8 (April), pp. 33-35; reprinted in Morris, Robert, Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 41-50.

1969 Statement in Live in Your Head: When Attitudes Become Form. Exhibition catalogue. Bern: Kunsthalle.

1969 Continuous Project Altered Daily. New York: Multiples, 1970.

1969 “Notes on Sculpture, Part 4: Beyond Objects.” Artforum, vol. 7, no. 8 (April), pp. 50-54; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 51-70.

1970 “Some Notes on the Phenomenology of Making: The Search for the Motivated.” Artforum, vol. 8, no. 8 (April), pp. 62-66; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 71-94.

1971 “The Art of Existence. Three Extra-Visual Artists: Works in Process.” Artforum, vol. 9, no. 5 (January), pp. 28-33; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 95-118.

1971 “Letters.” Artforum, vol. 9, no. 7 (March), p. 8.

1973 “Some Splashes in the Ebb Tide.” Artforum, vol. 11, no. 6 (February), pp. 42-49; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 119-142.

1975 “Aligned with Nazca.” Artforum, vol. 14, no. 2 (October), pp. 26-39; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 143-174.

1977 “Fragment from the Rodin Museum.” October, no. 3 (Spring), pp. 3-8.

1977 “Mirror Rap/Par Rorrim.” in Et tous ils changent le monde, Seconde biennale d’art contemporain de Lyon. Exhibition catalogue. Paris: Réunion des musées nationaux, 1993, p. 241.

1978 “The Present Tense of Space.” Art in America, vol. 66, no. 1 (January-February), pp. 70-81; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 175-210.

1979 “Mirror Works 1961-1978.” in Robert Morris: Mirror Works 1961-1978. Exhibition catalogue. New York: Leo Castelli Gallery.

1980 “Notes on Art as/and Land Reclamation.” October, no. 12 (Spring), pp. 87-102; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 211-232.

1981 “American Quartet.” Art in America, vol. 69, no. 10 (December), pp. 92-105; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 233-258.

1982 “Labyrinth.” in Robert Morris: The Path Towards the Center of the Knot. Pistoia: Fattoria di Celle, 1995, p. 40.

1989 “Three Folds in the Fabric and Four Autobiographical Asides as Allegories (or Interruptions),” Art in America, vol. 77, no. 9 (November), pp. 142-151; reprinted in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 259-286.

1989 “Words and Images in Modernism and Postmodernism.” Critical Inquiry, no. 2 (Winter), pp. 337-347.

1993 “Writing with Davidson: Some Afterthoughts After Doing Blind Time IV: Drawing with Davidson.” Critical Inquiry, no. 4 (Summer), pp. 617-627.

1993 “A Fine Derangement of Epitaphs, Five Questions and a Rap Note on The Room.” in Art in Arcadia: The Gori Collection at Celle: A Tuscan Patron of Contemporary Art at his Country House. Exhibition catalogue. Torino: Umberto Allemandi C.

1993 Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press.

1993 “Robert Morris replies to Roger Denson (Or Is That a Mouse in My Paragone ?).” in Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993, pp. 287-315.

1993 “The Beaded Knot: A Tuscan Decade.” in Robert Morris: The Path Towards the Center of the Knot. Pistoia: Fattoria di Celle, 1995, pp. 9-15.

1993-1995 “Five Labyrinths.” in Robert Morris: The Path Towards the Center of the Knot. Pistoia: Fattoria di Celle, 1995, pp. 66-68.

1995 “Some Notes on Brancusi’s Braincase.” Art Press, no. 201 (April), pp. 24-25.

1997 “Professional Rules.” Critical Inquiry, no. 23 (Winter), pp. 298-322.

1997 “Tar Babies of the New World Order.” in Robert Morris, Tar Babies of the New World Order. Exhibition catalogue. Venezia/ Milano: Nuova Icona/Charta, pp. 61-64.

1998 “Cézanne’s Mountains.” Critical Inquiry, no. 24 (Spring), pp. 814-829.

1998 Telegram: The Rationed Years, from R Morris KC MO Nineteen forties to R Morris NY NY Nineteen Ninety-Eight. Genève: JRP Editions.

2000 “Size Matters.” Critical Inquiry, no. 26 (Spring), pp. 474-487.

2001 “Threading the Labyrinth.” October, no. 96 (Spring), pp. 61-70.

2003 “From a Chomskian Couch: The Imperialistic Unconscious.” Critical Inquiry, no. 29 (Summer), pp. 678-694.

2003 “Solecisms of Sight: Specular Speculations.” October, no. 103 (Winter), pp. 31-41.

2005 Hurting Horses. Brussel: mfc-michèle didier.

2007 “Jasper Johns: The First Decade.” in Jasper Johns, An Allegory of Painting, 1955-1965. Exhibition catalogue. Washington, D.C.: National Gallery of Art; reprinted in Robert Morris, Have I Reasons: Work and Writings 1993-2007. Tsouti-Schillinger, Nena, ed. Durham: Duke University Press, 2008, pp. 282-327.

2008 Have I Reasons: Work and Writings, 1993-2007. Tsouti-Schillinger, Nena, ed. Durham: Duke University Press.

2009 “The Labyrinth and the Urinal,” Critical Inquiry, no. 1 (Fall), pp. 76-99.

2010 Robert Morris: Hearing = Prze - Sluchanie Gregor Stemmrich: Kunst als Verhör = Sluchajac, Prze – Sluchania. Susanne Titz und = i Katarzyna Sloboda, eds., Köln: Verlag der Buchhandlung Walther König.

Exhibition Catalogues

Solo Exhibition Catalogues

1968 Robert Morris. Exhibition catalogue. Eindhoven: Stedelijk Van Abbemuseum.

1968 Robert Morris. Exhibition catalogue. Paris: Galerie Ileana Sonnabend.

1969 Robert Morris. Exhibition catalogue. Washington, D.C.: Corcoran Gallery of Art.

1970 Robert Morris. Exhibition catalogue. Tucker, Marcia, ed. New York: Whitney Museum of American Art.

1971 Robert Morris. Exhibition catalogue. London: Tate Gallery.

1974 Robert Morris/Projects. Exhibition catalogue. Philadelphia: Institute of Contemporary Art/University of Pennsylvania.

1974 Robert Morris. Exhibition catalogue. Saint-Étienne: Musée d’art et d’industrie.

1977 Het Observatorium von Robert Morris in Oostelijk Flevoland. Exhibition catalogue. Amsterdam: Stedelijk Museum.

1979 Robert Morris, Mirror Works 1961-1978. Exhibition catalogue. New York: Leo Castelli Gallery.

1981 Robert Morris: Selected Works 1970-1980. Exhibition catalogue. Houston: Contemporary Arts Museum.

1982 The Drawings of Robert Morris. Exhibition catalogue. Williamston, Mass.: Sterling and Francine Clark Art Institute/Williams College Museum of Art.

1986 Robert Morris, Works of the Eighties. Exhibition catalogue. Chicago/Newport Beach, Cal.: Museum of Contemporary Art/Newport Harbor Art Museum.

1989 Robert Morris: The Felt Works. Exhibition catalogue. New York: New York University/Grey Art Gallery and Study Center.

1990 Robert Morris Sculptures 1962-1984. Exhibition catalogue. London/New York: Runkel-Hue-Williams Ltd/Lang and O’Hara Gallery.

1991 Inability to Endure or Deny the World: Representation and Text in the Work of Robert Morris. Exhibition catalogue. Washington, D.C.: Corcoran Gallery of Art.

1992 Robert Morris: Blind Time Drawings with Davidson. Exhibition catalogue. Allentown, Penn.: Frank Martin Gallery/Muhlenberg College.

1994 Robert Morris: The Mind/Body Problem. Exhibition catalogue. New York: Solomon R. Guggenheim Museum/Guggenheim Museum SoHo.

1995 Robert Morris. Exhibition catalogue. Paris: Musée national d’art moderne/Centre de création industrielle/Centre Georges Pompidou.

1995 Robert Morris: The Path Towards the Center of the Knot. Exhibition catalogue. Pistoia: Fattoria di Celle.

1997 Robert Morris, Recent Felt Pieces and Drawings, 1996-1997. Exhibition catalogue. Sigean/Hannover, Leeds: Association Lieu d’art contemporain/Kunstverein Hannover/Henry Moore Sculpture Trust.

1997 Robert Morris, Tar Babies of the New World Order. Exhibition catalogue. Venezia: Nuova Icona Venezia.

1997 Robert Morris, 1963-1992. Exhibition catalogue. Portland, OR: Douglas F. Cooley Memorial Art Gallery/Reed College.

1999 Robert Morris, estampes et multiples 1952-1998: catalogue raisonné. Exhibition catalogue. Cherix, Christophe, ed. Genève/Chatou: Cabinet des estampes/Centre national de l’estampe et de l’art imprimé.

2000 Morris, Robert. From Mnemosyne to Clio: The Mirror to the Labyrinth (1998-1999-2000). Exhibition catalogue. Lyon: Musée d’art contemporain.

2001 Robert Morris. Exhibition catalogue. New Paltz: Samuel Dorsky Museum of Art/State University of New York.

2003 Robert Morris, Blind Time Drawings. Exhibition catalogue. New York: Haim Chanin Fine Arts.

2005 Robert Morris, Blind Time Drawings, 1973-2000. Exhibition catalogue. Criqui, Jean-Pierre, ed. Göttingen/Prato: Steidl/Centro per l’Arte Contemporanea Luigi Pecci.

2005 Robert Morris: Less Than. Exhibition catalogue. Prato: Gli Ori.

2006 Robert Morris. Exhibition catalogue. Sigean: LAC.

2010 Robert Morris: Bemerkungen zur Skulptur: zwölf Texte. Exhibition catalogue. Zürich/Dijon: JRP-Ringier/Les Presses du réel.

2011 Robert Morris: Drawings 1961-1976. Exhibition catalogue. New York: Craig F. Starr Gallery.

2011 1934 and before: Robert Morris. Exhibition catalogue. New York: Leo Castelli Gallery.

2011 Robert Morris: el dibujo como pensamiento. Exhibition catalogue. Valencia: IVAM Bancaja.

Group Exhibition Catalogues

1970 Conceptual Art and Conceptual Aspects. Exhibition catalogue. New York: New York Cultural Center.

1974 Kunst-Über Kunst, Werke und Theorien eine Ausstellung in drei Teilen: Teil I: Kasimir Malevitch…; Teil II: Paul Klee: Progressionen…; Teil III: nach 1965… Exhibition catalogue. Köln: Kölnischer Kunstverein.

1977 Paris – New York. Exhibition catalogue. Paris: Musée national d’art moderne/Centre Georges Pompidou.

1978 Structures for behaviour, new sculptures by Robert Morris, David Rabinowitch, Richard Serra and George Trakas. Exhibition catalogue. Toronto: Art Gallery of Ontario.

1978 Sculpture-nature. Exhibition catalogue. Bordeaux: CAPC/Musée d’art contemporain.

1980 Carl Andre, Donald Judd, Robert Morris, sculture minimal. Exhibition catalogue. Roma: Galleria Nazionale d’Arte Moderna.

1984 Endgame, strategies of postmodernist performance – Robert Morris, Laurie Anderson, Robert Longo. Exhibition catalogue. New York: Hunter College.

1985 Art Minimal I. Exhibition catalogue. Bordeaux: CAPC/Musée d’Art Contemporain.

1988 Art Conceptuel I. Exhibition catalogue. Bordeaux: CAPC/Musée d’Art Contemporain.

1995 Attitudes sculptures, Gilbert and George, Barry Le Va, Robert Morris, Bruce Nauman, Reiner Ruthnbeck, Richard Serra, Robert Smithson, Franz Erhard Walther. Exhibition catalogue. Bordeaux: CAPC/Musée d’art contemporain.

1995 De l’Attitude à la Sculpture. Exhibition catalogue. Bordeaux: CAPC/Musée d’art contemporain.

1995 Notes on Print with and after Robert Morris, Hors Scène #1. Exhibition catalogue. Genève: Cabinet des estampes du Musée d’art et d’histoire.

1996 Self construction, Vito Acconci, Manfred Erjautz, Joseph Kosuth, Brigitte Kowanz, Robert Morris, Nam June Paik… Exhibition catalogue. Wien: Museum Moderner Kunst Stiftung Ludwig.

1996 Face à l’histoire 1933-1996. L’artiste moderne devant l’événement historique. Exhibition catalogue. Paris: Musée national d’art moderne/Centre d’art et d’industrie Centre Georges Pompidou.

1998 Mai 68, Positionen zeitgenössischer Kunst seit den 60er Jahren. Exhibition catalogue. Köln: Kunsthalle.

1999 Goya informe, descendances modernes de Goya. Exhibition catalogue. Tourcoing: Musée des Beaux-Arts.

2001 Into the light, the projected image in American art 1964-1977. Exhibition catalogue. New York: Whitney Museum of American Art.

2003 De mémoires. Exhibition catalogue. Le Fresnoy: Studio national des arts contemporains.

Interviews with Robert Morris

“The Assistant Question: Interviews with 23 Artists.” Art in America, vol. 81, no. 1, (January 1993), p. 73.

Bonito Oliva, Achille. “Robert Morris intervistato da Achille Bonito Oliva.” Domus, no. 516 (November 1972), pp. 43-44.

Bronson, A.A. “The Solid and The Translucent.” in A.A. Bronson, The Quick and The Dead. Exhibition catalogue. Toronto: The Power Plant, 2003.

Buchloh, Benjamin H. D. “Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris.” October, no. 70 (Fall 1994), pp. 47-54.

Cherix, Christophe. “Questions for Robert Morris.” in Cherix, Christophe. Notes on Print with and after Robert Morris, Hors Scène # 1. Genève: Cabinet des Estampes du Musée d’art et d’histoire, 1995, pp. 7-12.

Fineberg, Jonathan. “Robert Morris Looking Back: An Interview.” Arts Magazine, vol. 55, no. 1 (September 1980), pp. 110-115.

Goossen, E. C. “The Artist Speaks: Robert Morris.” Art in America, vol. 58, no. 3, (May-June 1970), pp. 104-111.

Karmel, Pepe. “Robert Morris: Formal Disclosures.” Art in America, vol. 83, no. 6 (June 1995), pp. 88-95, pp. 117-119.

Mitchell, W.J.T. “Golden Memories: W.J.T. Mitchell Talks with Robert Morris.” Artforum, vol. 32, no. 8 (April 1994), pp. 87-91, p. 133.

Obrist, Hans Ulrich. “Utopies concrètes ou imprimer pour rendre public.” in Cherix, Christophe. Robert Morris, estampes et multiples, 1952-1998: catalogue raisonné. Genève/Chatou: Cabinet des Estampes/Centre national de l’estampe et de l’art imprimé, 1999, pp. 166-172.

Sylvester, David. “A Duologue.” in Robert Morris, London: Tate Gallery, 1971, pp. 13-20.

Wilde, E. de. “Interview met Robert Morris.” in Het Observatorium van Robert Morris in Oostelijk Flevoland. Exhibition catalogue. Amsterdam: Stedelijk Museum, 1977.

Writings on Robert Morris

Robert Morris: The Path Towards the Center of the Knot. Pistoia: Fattoria di Celle, 1995.

Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper and Row, 1989.

Branden, Joseph W. “Robert Morris and John Cage: reconstituting a dialogue.” October, no. 81 (Summer 1997), pp. 59-69.

Cherix, Christophe. Robert Morris, estampes et multiples 1952-1998: catalogue raisonné. Genève/Chatou: Cabinet des estampes/Centre national de l’estampe et de l’art imprimé, 1999.

Crow, Thomas. “Yo Morris.” Artforum, vol. 32, no. 10 (Summer 1994), pp. 86-91.

Davidson, Donald. “The Third Man”, Critical Inquiry, vol. 19, no. 4 (Summer, 1993), pp. 607-616.

Grenier, Catherine. Robert Morris à Maguelone. Paris: Éditions Ereme, Collection Création et Architecture, 2003.

Krauss, Rosalind. “Robert Morris: autour du problème corps/esprit.” Art Press, no. 193 (July-August 1994), pp. 25-32.

Schneller, Katia. Robert Morris, sur les traces de Mnémosyne. Lyon/Paris: ENS/Éditions des archives contemporaines, 2008.

Surin, Kenneth. “Getting the Picture: Donald Davidson on Robert Morris’s Blind Time Drawings IV (Drawing with Davidson).” The South Atlantic Quaterly (Winter 2002), pp. 133-169.

Tsouti-Schillinger, Nena. Robert Morris and Angst. Athens/New York: Bastas Publications/Georges Braziller, 2001.

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