Divine Presence in Spain and Western Europe 1500-1960
|Absence and presence in family photographs around World War I
Testo integrale
1Photomontage was used in real, studio portraits as well (the examples I have are Spanish, French, Belgian, Dutch, Russian and Italian) to unite couples and familles separated by emigration, military service, imprisonment or death. For separation is an intimation of death, death once removed.
2In the composite photographs we see an emulation, whether on the part of the studio photographers, their clients, or both, of the commercial cards centering on presence and absence. Indeed, in the case of the refine d Dutch and Belgian prisoner of war photomontages, the personal cards are at times hard to tell apart from commercial ones.
- 1 Compare using Google N-Grams the incidence of the words “photographe” and “carte postale” or “phot (...)
3By the time of the postcard boom the shift from holy card and religious print to personal photos as treasured icons had already taken place, for Carte de Visite or Cabinet photographs were accessible to per-sons of modest means. In the commercial postcard pictures themselves, and in personal family photos, there is surprisingly little depiction of postcards. The photograph, not the commercial postcard, is what the women, the children, the parents at home frame, hold and look at, what the soldier and the prisoner of war have on their tables, their key chains, or in their hands. However artistic, expressive, entertaining, or moving, commercial postcards in their mighty billions were a blip on the screen compared to the emotional meaning of the photographs that precede d them, coincided with them, and outlasted them.1 (Figs. 143-1S9.)
- 2 Spiritualism and its photographs are the attempt to reunite persons sundered. For the place of the (...)
4In this light, in family portraits with soldiers taken during World War I, many of them when the soldiers were on leave, we see the prospect of the ultimate separation. They are pictures in which the absent are fused with the present in case they are eternally sundered.2 These pictures are part of the family history of most of the inhabitants in Central and Western Europe (Figs. 160-174).
- 3 As Alberti wrote, “Through painting the faces of the dead go on living for a very long time.” On P (...)
5Portraits pass from being mementos to memento mori.3 As such they can bridge the gap first between present and absent, then between the living and the de ad. Ail are potentially pictures of visions truly seen only by those who knew them. A Hungarian historian told me about her grandfather from Zemplén County who emigrated to South America to work in the mines and send money to his family. After a few letters the only time he was heard from again, years later, was a single photo postcard of him standing in a studio next to a column, leaning on a stand, with a phrase on the back with his date of death.
Fig. 144. Man thinking of woman. “To my dear mother and sisters I dedicate this keepsake with all the affection of my heart, Jaime Monreal.” Spain, after 1905.
Fig. 145. Woman with two girls thinks of absent man, to whom photomontage was sent for saint’s day, July 14, 1915. Spain (sold from Elda, Alicante).
Fig. 147. Soldier writes to absent woman. Photomontage on thick stock, c. 1915-1923. Cartagena, Haro Hermanos.
Fig. 148. Young woman writes to absent soldier.
Photomontage on thick stock, c. 1915-1923. Postcard. Spain.
Fig. 151. Woman and child with absent soldier.
Photomontage on Guilleminot, Boespflug et Cie (Paris) stock.
Fig. 153. Family and absent man, possibly prisoner of war.
Photomontage, Belgium? (purchased from Bruges).
Fig. 154. Family and absent soldier, possibly prisoner of war.
Photomontage on Guilleminot, Boespflug et Cie (Paris) stock.
Fig. 156. Children and absent soldier.
Photomontage on postcard – Carte Postale K Ltd stock. Belgium or France.
Fig. 158. Berthe in Liège and Lambert Hermans, prisoner of war near Hannover. “Bonne fête.” Photomontage, Liège.
Fig. 159. Extended family in Liège garden, sent to Lambert Hermans, prisoner of war, from father, Sept. 22, 1915, with news and questions about money, letters and parcels. Liège.
Fig. 164. Officer and family, “de 3 à 6 heures, Parc des Célestins Inférieur.”
Sept. 30, 1918. Vichy, Photo Ambrost.
Fig. 171. Serbian soldier and extended family. “A keepsake to brother-in-law and sister from Zica, Kaja and the children. “Belgrade, Studio on Kralja Milana 93.
Note
1 Compare using Google N-Grams the incidence of the words “photographe” and “carte postale” or “photograph” and “postcard” over the period 1800 to 2000.
2 Spiritualism and its photographs are the attempt to reunite persons sundered. For the place of the war missing and dead in spiritualism see Faust, Republic of Suffering, for the American Civil War, and Winter, Sites of Memory, 54–77, for World War I.
3 As Alberti wrote, “Through painting the faces of the dead go on living for a very long time.” On Painting, 60. See also Hirsch, Family Frames, and Bán and Turai, Exposed Memories.
Indice delle illustrazioni
Legenda | Fig. 143. Girl with mother’s portrait, c. 1910.Photomontage on thick stock, Barcelona, J. Alonso. |
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URL | http://books.openedition.org/ceup/docannexe/image/1933/img-1.jpg |
File | image/jpeg, 95k |
Legenda | Fig. 144. Man thinking of woman. “To my dear mother and sisters I dedicate this keepsake with all the affection of my heart, Jaime Monreal.” Spain, after 1905. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-2.jpg |
File | image/jpeg, 72k |
Legenda | Fig. 145. Woman with two girls thinks of absent man, to whom photomontage was sent for saint’s day, July 14, 1915. Spain (sold from Elda, Alicante). |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-3.jpg |
File | image/jpeg, 114k |
Legenda | Fig. 146. “Lola Marignan and her grandchildren.”Photomontage, Valencia, Foto Pavia. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-4.jpg |
File | image/jpeg, 86k |
Legenda | Fig. 147. Soldier writes to absent woman. Photomontage on thick stock, c. 1915-1923. Cartagena, Haro Hermanos. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-5.jpg |
File | image/jpeg, 182k |
Legenda | Fig. 148. Young woman writes to absent soldier.Photomontage on thick stock, c. 1915-1923. Postcard. Spain. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-6.jpg |
File | image/jpeg, 145k |
Legenda | Fig. 149. Italian soldier thinks of woman.Photomontage, Livorno, Veroli. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-7.jpg |
File | image/jpeg, 87k |
Legenda | Fig. 150. Soldier in studio.Carte de Visite, Marseilles, L. Gaulard. 6.3x10.5 cm. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-8.jpg |
File | image/jpeg, 125k |
Legenda | Fig. 151. Woman and child with absent soldier.Photomontage on Guilleminot, Boespflug et Cie (Paris) stock. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-9.jpg |
File | image/jpeg, 123k |
Legenda | Fig. 152. Soldier with photo of daughter.France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-10.jpg |
File | image/jpeg, 126k |
Legenda | Fig. 153. Family and absent man, possibly prisoner of war.Photomontage, Belgium? (purchased from Bruges). |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-11.jpg |
File | image/jpeg, 132k |
Legenda | Fig. 154. Family and absent soldier, possibly prisoner of war.Photomontage on Guilleminot, Boespflug et Cie (Paris) stock. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-12.jpg |
File | image/jpeg, 140k |
Legenda | Fig. 155. Soldier and absent family.Photomontage, Germany. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-13.jpg |
File | image/jpeg, 191k |
Legenda | Fig. 156. Children and absent soldier.Photomontage on postcard – Carte Postale K Ltd stock. Belgium or France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-14.jpg |
File | image/jpeg, 97k |
Legenda | Fig. 157. Father and soldier prisoner. “Zaandam 31-1-1918.”Photomontage, Netherlands. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-15.jpg |
File | image/jpeg, 79k |
Legenda | Fig. 158. Berthe in Liège and Lambert Hermans, prisoner of war near Hannover. “Bonne fête.” Photomontage, Liège. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-16.jpg |
File | image/jpeg, 100k |
Legenda | Fig. 159. Extended family in Liège garden, sent to Lambert Hermans, prisoner of war, from father, Sept. 22, 1915, with news and questions about money, letters and parcels. Liège. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-17.jpg |
File | image/jpeg, 180k |
Legenda | Fig. 160. Soldier and family. Postcard – Carte Postale, France |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-18.jpg |
File | image/jpeg, 103k |
Legenda | Fig. 161. Soldier and wife. Germany. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-19.jpg |
File | image/jpeg, 177k |
Legenda | Fig. 162. Soldier and family. Germany. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-20.jpg |
File | image/jpeg, 132k |
Legenda | Fig. 163. Soldier and wife on Guilleminot, Boespflug et Cie (Paris) stock. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-21.jpg |
File | image/jpeg, 88k |
Legenda | Fig. 164. Officer and family, “de 3 à 6 heures, Parc des Célestins Inférieur.”Sept. 30, 1918. Vichy, Photo Ambrost. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-22.jpg |
File | image/jpeg, 158k |
Legenda | Fig. 165. Soldier and family in courtyard, France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-23.jpg |
File | image/jpeg, 217k |
Legenda | Fig. 166. Soldiers and families in cafe. Postcard – Carte Postale. France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-24.jpg |
File | image/jpeg, 168k |
Legenda | Fig. 167. Soldier and family, Germany. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-25.jpg |
File | image/jpeg, 146k |
Legenda | Fig. 168. Soldier on leave and family, St-Didier d’Assiat (Ain). |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-26.jpg |
File | image/jpeg, 121k |
Legenda | Fig. 169. Medic and two women, boy with hoop. Postcard – Carte Postale, France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-27.jpg |
File | image/jpeg, 96k |
Legenda | Fig. 170. Soldier, wife, and daughter, on Guilleminot, Boespflug et Cie (Paris), stock. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-28.jpg |
File | image/jpeg, 85k |
Legenda | Fig. 171. Serbian soldier and extended family. “A keepsake to brother-in-law and sister from Zica, Kaja and the children. “Belgrade, Studio on Kralja Milana 93. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-29.jpg |
File | image/jpeg, 81k |
Legenda | Fig 172. Soldier, wife, and dog. Postcard – Carte Postale. France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-30.jpg |
File | image/jpeg, 107k |
Legenda | Fig. 173. Soldier, wife, and daughter. Postcard – Carte Postale, cropped, France. |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-31.jpg |
File | image/jpeg, 66k |
Legenda | Fig. 174. Henri Rinsonnet, Caporal 5e Chasseurs a Pie, prisoner at Soltau (Hannover) to wife in Dison-lez-Verviers, Belgium, May 20, 1917. Family photomontages are in frames on table, cameo photo on watch chain, writing (not legible) on card in his hand. Soltau, Photo Dethmann (of Wolfenbüttel). |
URL | http://books.openedition.org/ceup/docannexe/image/1933/img-32.jpg |
File | image/jpeg, 55k |
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