Version classiqueVersion mobile
OpenEdition Books

La nascita del teatro ebraico

 | 
Raffaele Esposito

Appendici e bibliografia

Bibliografia

Texte intégral

Testi teatrali in versione originale e in traduzione

Aa. Vv., Neshef Bereshit (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Moskvah 1918.

Agmon, Nathan: vd. Bistritzky, Nathan.

An-ski, Sh., Tsvishn tsvey veltn: der dibek. A dramatishe legende in fir aktn, in Esposito 2012.

Tra due mondi: il dibek. Leggenda drammatica in quattro atti, tradotto da Raffaele Esposito, in Esposito 2012.

Beyn shney ‘olamot: ha-dibuk. Agada dramatit be-arba‘ ma‘arakhot. Tirgum H. N. Bialik, in Lacerenza 2012.

Fra due mondi (Il dibbuk). Narrazione drammatica in quattro atti. Traduzione di H. N. Bialik, tradotto da Giancarlo Lacerenza, in Lacerenza 2012.

Ashman, Aharon, Mikhal bat-Shaul, Yavne, Tel Aviv 1941.

Ha-adamah ha-zot. Makhazeh me-khayey ha-Arets be-shalosh ma‘arakhot, Kiryat Sefer, Yerushalayim 1943.

Ha-bessorah (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1946.

Makhazot (2 kerakhim), Yesod, Tel Aviv 1973.

Bar-Yosef, Yehoshua, Be-simtaot Yerushalayim. Makhazeh, Akhiasaf, Yerushalayim 1941.

Shomrey ha-khomot (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1948.

Beilin, Asher, Banim li-gvulam (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1944.

Berkowitz, Yitzhak Dov, Oto ve-et bno (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1934.

Bistritzky, Nathan [= Agmon], Be-leyl zeh. Makhazeh mi-yemey khurban Yerushalayim. Be-arba‘ ‘alilot, Totsaat Reuven Mas, Yerushalayim 1935.

Shabtay Tsvi. Khizayon be-khamesh ‘alilot, Merkaz ha-agudah “Le-ma‘an ha-Ohel”, Yerushalayim 1936.

Yerushalayim ve-Romi, Totsaat Reuven Mas, Yerushalayim 1939.

de’ Sommi, Giuda Leone [= Yehuda Somo], Ha-makhazeh ha-‘ivri ha-rishon: Tsekhut bedikhuta de-kidushin, hehedir Khayim Shirman [= J. Schirmann], Sifre Tarshish, Yerushalayim 1946 (mahadurah shniyah 1965).

Tre sorelle: Comedia (Archivio del teatro italiano), a cura di Giovanna Romei, Il Polifilo, Milano 1982.

Irifile, in Della Palma 1990.

A comedy of betrothal (Carleton Renaissance plays in translation), translated with an introduction and notes by Alfred S. Golding, Dovehouse, Ottawa 1988.

The Three Sisters (Carleton Renaissance plays in translation), translated with an introduction and notes by Donald Beecher - Massimo Ciavolella, Ottawa, Dovehouse1992.

Hadani, Ever, Shomerim (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1937.

Hirschbein, Peretz, Makhazot: Miryam; Nevelah; ‘Olamot bodedim; Holekhim ve-khavim, Hotsaat sefarim Tsentral, Varshah 1923.

Jessurun, Rehuel [= Paulo de Pina], Diálogo dos montes, edited with an English verse translation by Philip Polack, Tamesis, London 1975.

Karmon, Alexander, Ba-sevakh. Drama be-shalosh ma‘arakhot, Tarbut, Yerushalayim 1926.

He-khaluts ha-katan. Makhazeh li-bney ha-ne‘urim, Yerushalayim 1927 Lebensohn, Abraham Dov: vd. Levenzon, Adam Ha-Kohen. Levenzon, Adam Ha-Kohen [= Abraham Dov Lebensohn], Emet ve-emunah: shir khizayon be-shalosh ma‘arakhot u-vi-shnem-‘asar khezionot, hehedir ve-hosif mavo ve-he‘arot Ben-Ami Feingold, Mossad Bialik, Yerushalayim 1994.

Luzzatto, Moshe Chaim, Ma‘aseh Shimshon, hehedir Yonah David, Mosad Bialik, Yerushalayim 1967.

Migdal ‘oz, hehedir Yonah David, Mosad Bialik, Yerushalayim 1972.

La-yesharim tehilah, hehedir Yonah David, Mosad Bialik, Yerushalayim 1981.

Mapu, Avraham, Ahavat Tsiyon, ibud: Haim Tarlowski, Oded Avishar (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1947.

Shamir, Moshe, Hu halakh ba-sadot. Makhaze bi-shney khelakim, Or-Am, Tel Aviv 1989.

He walked through the fields, translated by Audrey Hodes, in Joseph 1983.

Shalom Aleykhem [= Sholem Aleykhem], Ha-otsar, tr. Y. D. Berkowitz (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1928.

Sokolow, Nahum, Ha-kheshbon ha-akharon (tik hatsagah, khomer arkhiyoni, Universitat Tel Aviv), Tel Aviv 1936.

Somo, Yehudah: vd. de’ Sommi, Giuda Leone.

Zakut, Moshe [= Mosè Zacuto; Moses Sacut], Tofteh ‘arukh, Venezia 1715.

Tofte gnaruch ossia il castigo dei reprobi, tradotto da Cesare Foà, Finale di Emilia 1901.

L’inferno preparato, tradotto da Salomone Luzzati, Torino 1819.

Jessod olam, das älteste bekannte dramatische Gedicht in hebräischer Sprache, von Moses Sacut, hrsg. von Abraham Berliner, Julius Benzian, Berlin 1874.

Critica, storia e memorie

Abramson, Glenda, 1979, Modern Hebrew Drama, Weidenfeld & Nicolson, London.

– 1998, Drama and ideology in modern Israel, Cambridge University Press, Cambridge.

– (a cura di), 2005, Encyclopedia of Modern Jewish Culture, Routledge, London - New York.

Almog, Oz, 2000, The Sabra. The Creation of the New Jew, translated by Haim Watzman, University of California Press, Berkley - Los Angeles - London (ed. or. Ha-tsabar. Dyukan, Am Oved, Tel Aviv 1997).

Aschheim, Steven E. - Vivian Liska, 2015, The German-Jewish Experience Revisited, Walter de Gruyter, Berlin - Boston, MA.

Attisani, Antonio (a cura di), 1980, Enciclopedia del teatro del ’900, Feltrinelli, Milano.

Attisani, Antonio, 1989, Breve storia del teatro, BCM, Milano.

– 2013, Solomon Michoels e Veniamin Zuskin. Vite parallele nell’arte e nella morte, Accademia University Press, Torino.

Avisar, Samuele, 1956, Teatro ebraico (Teatro di tutto il mondo), Nuova Accademia, Milano.

Baumgarten, Jean, 1990, Le yiddish, Presses Universitaires de France, Paris.

– 2005, Introduction to old Yiddish literature, edited and translated by Jerold C. Frakes, Oxford University Press, Oxford (ed. or. Introduction à la littérature yiddish ancienne, Les Éditions du Cerf, Paris 1993).

Beecher, Donald A., 1991, Leone de’ Sommi’s The three sisters: Toward a definition of mannerist theatre, «Rivista di Studi Italiani», IX, n. 1, pp. 1-10.

Belkin, Ahuva, 2009, Ritual space as theatrical space in Jewish folk theatre, in Edna Nahshon ( a cura di), Jewish Theatre, pp. 15-24.

Ben-Ari, Raikin, 1957, Habima, translated by A. H. Gross - I. Soref, Yoseloff, New York.

Ben-Zvi, Linda (a cura di), 1996, Theater in Israel, The University of Michigan Press, Ann Arbor, MI.

Berlin, Adele - Marc Zvi Brettler (a cura di), 2004, The Jewish Study Bible, Oxford University Press, Oxford.

Bernstein-Cohen, Miriam, 1971, Ke-tipah ba-yam, Massada, Ramat Gan.

Besso, Henri V., 1938, Dramatic Literature of the Spanish and Portuguese Jews of Amsterdam in the XVIIth and XVIIIth centuries (III-IV), «Bulletin Hispanique», XL, n. 2, pp. 158-175.

Brecht, Bertolt, 2001, Scritti teatrali, trad. Emilio Castellani, Roberto Fertonani e Renata Mertens, Einaudi, Torino (ed. or. Schriften zum Theater. Über eine nicht-aristotelische Dramatik, a cura di Siegfried Unseld, Suhrkamp, Frankfurt am Main 1957).

Callow, Anna Linda, 2011, Sulle orme di Racine e Metastasio: Il castigo di Atalia di David Franco-Mendes, «Altre modernità» (numero speciale: La Bibbia in scena), pp. 56-64.

Chagall, Marc, 1997, La mia vita, SE, Milano.

Danieli, Natascia, 2007, Il dramma La-yešarim tehillah di Mošeh H.ayyim Luzzatto: pluralità di letture, «Materia giudaica», XII, n. 1-2, pp. 129-137.

de’ Sommi, Giuda Leone, Quattro dialoghi in materia di rappresentazioni sceniche, a cura di Ferruccio Marotti, Il Polifilo, Milano 1968.

Elon, Amos, 2004, The Pity of It All. A Portrait of Jews in Germany 1743-1933, Penguin, London.

Esposito, Raffaele, 2012, Dibbuk yiddish. Introduzione, traduzione e nuova edizione del testo originale (Archivio di Studi Ebraici, III\3), Università degli Studi di Napoli L’Orientale, Napoli.

Feingold, Ben-Ami, 1994a, Le opere teatrali di Mosheh Chayyim Luzzatto, trad. Marta Teitelbaum, «La Rassegna Mensile di Israel», LX, n. 1-2, pp. 183-188.

– 1994b, Teatron u-maavak: Khaderah ve-‘Ha-adamah ha-zot’, «Kathedra», LXXIV, pp. 140-156.

– 2005a, Hebrew drama, in Glenda Abramson (a cura di), Encyclopedia of Modern Jewish Culture, vol. I, pp. 312-317.

– 2005b, Ohel: ‘aliyato ve-nefilato shel teatron po‘alim, «Iyunim bi-tkumat Israel», V, pp. 349-372.

Fishman, Pearl, 1980, Vakhtangov’s The Dybbuk, «The Drama Review», XXIV, n. 3, pp. 43-58.

Gnessin, Menahem, 1946, Darki ‘im ha-teatron ha-‘ivri 1905-1926, Hakibbutz Hameuchad, Tel Aviv.

Graetz, Heinrich, 1891, Geschichte der Juden. Von den ältesten Zeiten bis auf die Gegenwart (11 Bände, 1853-1875; mehrere Ausgaben bis 1891), Oskar Leiner, Leipzig.

Gur, Israel, 1958, Actors in the Hebrew Theatre, translated by E. El-Dror, Y. Hanegbi and M. Givton, The Youth and Hechalutz Department of the Zionist Organization, Jerusalem (ed. or. Ha-mesakhakim evyon va-melekh. Masot ‘al sakhkaney Habima ha-‘ivrit be-livyat temunot, Hotsaat Teatronit, Yerushalayim 1955).

Guy, Carmit, 1995, Ha-malkah nas‘ah be-otobus. Rovinah ve-“Ha-Bimah”, Am Oved, Tel Aviv.

Hadas-Lebel, Mireille, 1994, Storia della lingua ebraica, trad. Vanna Lucattini Vogelmann, Giuntina, Firenze (ed. or. L’hébreu, trois mille ans d’histoire, Albin Michel, Paris 1992).

Halevy, Moshe, 1955, Darki aley bamot, Massada, Tel Aviv.

Halperin, Hagit, 2011, Ha-maestro. Khayav ve-yetsirato shel Avraham Shlonsky, Sifriyat Po‘alim, Tel Aviv.

Harris, John Wesley, 1992, Medieval Theatre in Context: An Introduction, Routledge, London.

Hasak, Nira, 2000, Ha-teatron ha-‘ivri be-Erets Yisrael ba-shanim 1904-1917. Sekirat ha-makhazot ve-ha-hatsagot, ‘Avodat gmar likrat ha-toar “musmakh le mad‘ey ha-ruakh” (M.A. thesis), Universitat Tel Aviv, Tel Aviv.

Hoberman, J. 1991, Bridge of Light: Yiddish Film Between Two Worlds, The Museum of Modern Art/Schocken Books, New York.

Jesi, Furio, 1993, L’accusa del sangue. Mitologie dell’antisemitismo, Morcelliana, Brescia (nuova ed. L’accusa del sangue. La macchina mitologica antisemita, Bollati Boringhieri, Torino 2007).

Joseph, Herbert S., 1983, Modern Israeli Drama: An Anthology, Fairleigh Dickinson University Press, Madison, NJ.

Kaufmann, David, 1898, Leone de Sommi Portaleone (1527-92), dramatist and founder of a synagogue at Mantua, «The Jewish Quarterly Review», X, n. 3, pp. 445-461.

Kohansky, Mendel, 1969, The Hebrew Theatre: Its First Fifty Years, Israel Universities Press, Jerusalem.

– 1980, Israele, in Antonio Attisani (a cura di), Enciclopedia del teatro del ’900, pp. 67-71.

Kühne, Jan, 2015, «Of the two the Jew is - (Curtain falls.)» Sammy Gronemann’s dramaturgy of the German-Jewish encounter in Palestine/Israel (1936–1952), «Jewish Culture and History», XVI, n. 3, pp. 254-274.

Kuhns, David F., 1997, German Expressionist Theatre: the Actor and the Stage, Cambridge University Press, Cambridge.

Lacerenza, Giancarlo, 2012, Dibbuk ebraico. Edizione critica e traduzione annotata (Archivio di Studi Ebraici, III\1), Università degli Studi di Napoli L’Orientale, Napoli.

Lachover, Fishel, 1927-1948, Toledot ha-sifrut ha-‘ivrit ha-khadashah, Dvir, Tel Aviv.

Lanfranchi, Pierluigi, 2006, L’Exagoge d’Ezéchiel le Tragique. Introduction, texte, traduction et commentaire (Studia in Veteris Testamenti Pseudepigrapha 21), Brill, Leiden - Boston, MA.

Lattes, Andrea Y., 1997, L’opera letteraria di Rabbi Moshè Zacuto, «La Rassegna Mensile di Israel», LXIII, n. 2, pp. 1-26.

Lev-Ari, Shimon, 1996, Appendix 1. The beginnings of theater performances in Eretz-Israel, 1889-1904, in Linda Ben-Zvi (a cura di), Theater in Israel, pp. 403-413.

Levy, Emanuel, 1979, The Habima, Israel’s National Theater, 1917-1977: A Study of Cultural Nationalism, Columbia University Press, New York.

Levy, Shimon (a cura di), 1999, Theatre and Holy Script, Sussex Academic Press, Brighton.

– 2000, The Bible as Theatre, Sussex Academic Press, Brighton.

Lipshitz, Yair, 2010, Performance as profanation: Holy tongue and comic stage in Tsahut bedihuta deqiddushin, «Renaissance Drama», XXXVI-XXXVII [special issue: Italy in the drama of Europe], pp. 125-156.

Lipsyc, Sonia Sarah, 2002, Salomon Mikhoëls ou le testament d’un acteur juif, Les Editions du Cerf, Paris.

Malkin, Jeannette R. - Freddie Rokem (a cura di), 2010, Jews and the Making of Modern German Theatre, University of Iowa Press, Iowa City, IA.

Miron, Dan, 2000, Image of the Shtetl and Other Studies of Modern Jewish Literary Imagination, Syracuse University Press, Syracuse, NY.

Morris, Benny, 2001, Vittime. Storia del conflitto arabo-sionista 1881-2001, trad. Stefano Galli, Rizzoli, Milano (ed. or. Righteous victims. A History of the Zionist-Arab Conflict 1881-1999, Knopf, New York 1999).

Nahshon, Edna (a cura di), 2009, Jewish Theatre: A Global View, Brill, Leiden - Boston, MA.

Nancy, Jean-Luc, 2010, Corpo teatro, tr. Antonella Moscati, Cronopio, Napoli (ed. or. Corps-théâtre, in Passions du corps dans les dramaturgies contemporaines, a cura di Alexandra Poulain, Septentrion, Villeneuve 2011).

Pavesi, Giorgio, 2015, Leone de’ Sommi hebreo e il teatro della modernità, Gilgamesh, Asola.

Pelli, Moshe, 2010, Haskalah and Beyond: The Reception of the Hebrew Enlightenment and the Emergence of Haskalah Judaism, University Press of America, Lanham, MD.

Peñalosa, Fernando, 2012a, Parodies of An-sky’s “The Dybbuk”, Tsiterboym, Rancho Palos Verdes, CA.

– 2012b, The Dybbuk: Text, Subtext, Context, Tsiterboym, Rancho Palos Verdes, CA.

Ramras-Rauch, Gila, 1989, The Arab in Israeli Literature, Indiana University Press, Bloomington, IN - I. B. Tauris, London.

Reese, James M., 1993, Song of Solomon, in Bruce M. Metzger - Michael D. Coogan (a cura di), The Oxford Companion to the Bible, Oxford University Press, Oxford, pp. 708-710.

Richetti, Giorgio - Giorgio Romano (a cura di), 1960, Teatro in Israele, Cappelli, Bologna.

Rokem, Freddie, 1996, Hebrew theater from 1889 to 1948, in Linda Ben-Zvi (a cura di), Theater in Israel, pp. 51-84.

Rosenzweig, Claudia, 2011, Il Purim-shpil: origini e trasformazioni, «Altre modernità» (numero speciale: La Bibbia in scena), pp. 22-43.

Roth, Joseph, 2012, Ebrei erranti, Adelphi, Milano.

Safran, Gabriella, 2010, Wandering Soul. The Dybbuk’s Creator, S. An-sky, Harvard University Press, Cambridge, MA.

Safran, Gabriella - Steven J. Zipperstein (a cura di), 2006, The Worlds of S. An-sky. A Russian Jewish Intellectual at the Turn of the Century, Stanford University Press, Stanford, CA.

Schirmann, J. [= Khayim Shirman], 1931, Eine hebräisch-italienische Komödie des XVI. Jahrhunderts, «Monatsschrift für Geschichte und Wissenschaft des Judentums», LXXV, pp. 97-118.

Schirrmeister, Sebastian, 2012, Das Gastspiel. Friedrich Lobe und das hebräische Theater 1933–1950, Neofelis, Berlin.

Shaked, Gershon, 1970, Ha-makhazeh ha-‘ivri ha-histori bi-tkufat ha-tekhiyah. Nossim ve-tsurot, Mossad Bialik, Yerushalayim.

– 2000, Modern Hebrew Fiction, trans. by Yael Lotan, Indiana University Press, Bloomington, IN - The Toby Press, London (abridged translation of: Ha-siporet ha-‘ivrit 1880-1980, Hakibbutz Hameuchad, Tel Aviv 1977-1998).

Skolnik, Fred (a cura di), 2007, Encyclopedia Judaica, 2nd ed., Keter, Jerusalem.

Slouschz, Nahum, 1902, La renaissance de la littérature hébraïque (1743-1885). Essai d’histoire littéraire, Librairie Georges Bellais, Paris.

Steindler-Moscati, Gabriella, 1995, La corte persiana nella tradizione teatrale ebraica, in Un ricordo che non si spegne: scritti di docenti e collaboratori dell’Istituto Universitario Orientale di Napoli in memoria di Alessandro Bausani, IUO, Napoli, pp. 269-275.

– 2005, Teatro e Bibbia: la drammatizzazione della memoria collettiva, in Vincenzo Placella (a cura di), Memoria biblica e letteratura. Atti del Convegno Internazionale «All’eterno del tempo», Terza sessione, Milano 5-7 settembre 2000, Università degli Studi di Napoli L’Orientale, Napoli, pp. 555-567.

Steinlauf, Michael C., 2006, ‘Fardibekt!’: Ansky’s Polish legacy, in Gabriella Safran - Steven J. Zipperstein (a cura di), The Worlds of S. An-sky, pp. 232-251.

Taradel, Ruggero, 2002, L’accusa del sangue. Storia politica di un mito antisemita, Editori Riuniti, Roma.

Tidhar, David, 1947-1970, Entsiklopediyah le-khalutsey ha-Yishuv u-vonav, Sifriyat Rishonim, Tel Aviv.

Weitzner, Jacob, 1994, Sholem Aleichem in the Theater, Fairleigh Dickinson University Press, Madison, NJ.

Werses, Shmuel, 1986, S. An-ski’s ‘Tsvishn tsvey veltn (Der Dybbuk)’/‘Beyn shney olamot (Hadybbuk)’/‘Between two worlds (The Dybbuk)’: A textual history, in Studies in Yiddish Literature and Folklore, The Hebrew University of Jerusalem, Jerusalem, pp. 99-185.

Yerushalmi, Dorit - Shimon Levy (a cura di), 2009, Al na tegarshuni. ‘Iyunim khadashim be-Ha-dibuk, Assaph/Safra, Tel Aviv.

Zer-Zion, Shelly, 2007, Ha-Teatron ha-Eretsyisraeli (ha-TAY). Tnu‘ah beyn periferiyot tarbutiyot, «Zmanim», XCIX, pp. 16-25.

– 2015, The anti-Nazi plays of Habima during the 1930s and the making of Eretz-Israel Bildung, in Steven E. Aschheim - Vivian Liska (a cura di), The German-Jewish Experience Revisited, pp. 247-264.

Zilbercweig, Zalmen, 1931-1969, Leksikon fun yidishn teater, Varshe - Nyu York - Meksiko Shtot.

Risorse web

Arkhiyon Teatron Ha-Bimah (“Archivio del Teatro Habima”): http://www.habima.co.il/archive

Ha-Teatron Ha-Leumi Ha-Bimah (“Teatro Nazionale Habima”): http://www.habima.co.il

Jewish Women’s Archive: http://www.jwa.org

Leksikon ha-sifrut ha-‘ivrit ha-khadashah (“Lessico della letteratura ebraica moderna”), ed. Joseph Galron-Goldschlager, Ohio State University: http://library.osu.edu/projects/hebrew-lexicon

Madrikh 100 shanah la-teatron ha-‘ivri 1889-1989 (“Guida ai 100 anni del teatro ebraico, 1889-1989”), Shimon Lev-Ari, Universitat Tel-Aviv: http://www.tau.ac.il/~idcpa/Mavo.html

Muzeon onlayn shel ha-teatron ha-yehudi (“Museo online del teatro giudaico”): http://www.jewish-theatre.com

Proyekt Ben-Yehuda (“Progetto Ben-Yehuda”): http://benyehuda.org

Teatron Ha-Kameri shel Tel Aviv (“Teatro Cameri di Tel Aviv”): http://www.cameri.co.il

The YIVO Encyclopedia of Jews in Eastern Europe: http://www.yivoencyclopedia.org